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Forgotten Battles and American Memory
Forgotten Battles and American Memory is a military history book that brings to life long-ignored important conflicts through personal stories. Key figures include George Washington, Myles Standish, Daniel Morgan, Banastre Tarleton, Benjamin Franklin, Oliver Hazard Perry, Nathan Bedford Forest, Joseph Stilwell, Chiang Kai-shek, and George Marshall. The battles covered are the Plymouth Plantation militia attack on the Massachusett Tribe, the defeat of General Edward Braddock in the French and Indian War, Cowpens in the Revolutionary War, the Battle of Lake Erie in the War of 1812, the Fort Pillow Massacre in the Civil War, and the Battle for the Burma Road in World War II. The book also examines why the battles were lost to history and why they are still important today. In some cases, controversies remain, ranging from the depiction of Myles Standish on the Massachusetts flag to statues of Nathan Bedford Forrest. The book includes some never-reported information on the Battle for the Burma Road and the role of Pennsylvania militia in the War of 1812.
Talking Revolution
This study sheds light on a major and until now little studied Liverpool writer, Edward Rushton (1782-1814), whose politics and poetics were imbued in the most pressing events and debates shaking the world during the Age of Revolution.
Race, Romanticism, and the Atlantic
In highlighting the crucial contributions of diasporic people to British cultural production, this important collection defamiliarizes prevailing descriptions of Romanticism as the expression of a national character or culture. The contributors approach the period from the perspective of the Atlantic maritime economy, making a strong case for viewing British Romanticism as the effect of myriad economic and cultural exchanges occurring throughout a circum-Atlantic world driven by an insatiable hunger for sugar and slaves. Typically taken for granted, the material contributions of slaves, sailors, and servants shaped Romanticism both in spite of and because of the severe conditions they experi...
The Sea in the British Musical Imagination
10 Political Visions, National Identities, and the Sea Itself: Stanford and Vaughan Williams in 1910 -- 11 Bax's 'Sea Symphony' -- 12 'Close your eyes and listen to it': Special Sound and the Sea in BBC Radio Drama, 1957-59 -- Afterword : Channelling the Swaying Sound of the Sea -- Index
Free Trade and Sailors' Rights in the War of 1812
On 2 July 1812, Captain David Porter raised a banner on the USS Essex proclaiming 'a free trade and sailors rights', thus creating a political slogan that explained the War of 1812. Free trade demanded the protection of American commerce, while sailors' rights insisted that the British end the impressment of seamen from American ships. Repeated for decades in Congress and in taverns, the slogan reminds us today that the second war with Great Britain was not a mistake. It was a contest for the ideals of the American Revolution bringing together both the high culture of the Enlightenment to establish a new political economy and the low culture of the common folk to assert the equality of humankind. Understanding the War of 1812 and the motto that came to explain it – free trade and sailors' rights – allows us to better comprehend the origins of the American nation.
Physical Disability in British Romantic Literature
This book provides new period-appropriate concepts for understanding Romantic-era physical disability through function and aesthetics.
The Oxford Handbook of the Georgian Theatre 1737-1832
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Women Warriors in Romantic Drama
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
