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The Art of Life in South Africa
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recen...
The Law and the Prophets
“No nation can win a battle without faith,” Steve Biko wrote, and as Daniel R. Magaziner demonstrates in The Law and the Prophets, the combination of ideological and theological exploration proved a potent force. The 1970s are a decade virtually lost to South African historiography. This span of years bridged the banning and exile of the country’s best-known antiapartheid leaders in the early 1960s and the furious protests that erupted after the Soweto uprisings of June 16, 1976. Scholars thus know that something happened—yet they have only recently begun to explore how and why. The Law and the Prophets is an intellectual history of the resistance movement between 1968 and 1977; it f...
Convening Black Intimacy
An unprecedented study of how Christianity reshaped Black South Africans’ ideas about gender, sexuality, marriage, and family during the first half of the twentieth century. This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality. Although the reshaping of Black intimacy occurred first among educated Africans who aspired to midd...
Carceral Afterlives
Drawing upon social history, political history, and critical prison studies, this book analyzes how prisons and other instruments of colonial punishment endured after independence and challenges their continued existence. In Carceral Afterlives, Katherine Bruce-Lockhart traces the politics, practices, and lived experiences of incarceration in postcolonial Uganda, focusing on the period between independence in 1962 and the beginning of Yoweri Museveni’s presidency in 1986. During these decades, Ugandans experienced multiple changes of government, widespread state violence, and war, all of which affected the government’s approach to punishment. Bruce-Lockhart analyzes the relationship betw...
Acholi Intellectuals
Patrick William Otim argues that the Acholi people of northern Uganda, who helped Europeans spread colonial rule and Christianity, were far more politically savvy than previously understood.
The Morality of Revolution
The Morality of Revolution offers the first historical examination of urban cleanup campaigns and reeducation camps in socialist Mozambique. The book presents the camps as the template for independent Mozambique’s punitive society under Frelimo. Individuals who transgressed the law and socialist normative codes of behavior were targeted by the revolutionary party, which obsessively pursued putative wrongdoers in an effort to build a new society from the ruins of Portuguese colonialism. Benedito Luís Machava argues that the socialist experiment, while ushering in an era of economic development and social progress, sought also to remake the moral fabric of Mozambican society. At play was th...
Young Women Against Apartheid
Provides a new perspective on the struggle against apartheid, and contributes to key debates in South African history, gender inequality, sexual violence, and the legacies of the liberation struggle. WINNER OF THE RHS GLADSTONE BOOK PRIZE 2022 WINNER OF THE SOCIETY FOR THE HISTORY OF CHILDREN AND YOUTH GRACE ABBOTT BOOK PRIZE 2021 SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2022 While there have been many books on South Africa's liberation struggle during the 1980s and early 1990s, the story of the involvement of African girls and young women has been all but missing. This book tells their story, analysing what life was like for African girls under apartheid, why some chose to join the str...
Our New Husbands Are Here
In Our New Husbands Are Here, Emily Lynn Osborn investigates a central puzzle of power and politics in West African history: Why do women figure frequently in the political narratives of the precolonial period, and then vanish altogether with colonization? Osborn addresses this question by exploring the relationship of the household to the state. By analyzing the history of statecraft in the interior savannas of West Africa (in present-day Guinea-Conakry), Osborn shows that the household, and women within it, played a critical role in the pacifist Islamic state of Kankan-Baté, enabling it to endure the predations of the transatlantic slave trade and become a major trading center in the nineteenth century. But French colonization introduced a radical new method of statecraft to the region, one that separated the household from the state and depoliticized women’s domestic roles. This book will be of interest to scholars of politics, gender, the household, slavery, and Islam in African history.
Moroccan Modernism
In the years after independence, new art forms and practices flourished at the Casablanca École des beaux-arts, transforming the colonial relic into a wellspring of Moroccan modernism. Casablanca School artists, including Farid Belkahia, Mohammed Chebaa, and Mohammed Melehi, defined the modernist movement in Morocco. Their visual arts activism was displayed at their iconic outdoor exhibition in the Djemaa al-Fna plaza in Marrakech, in their collaborations with the cultural and political journal Souffles, through their radical anticolonial pedagogy, and through their use of abstraction to expand the horizons of postcolonial national culture. In Moroccan Modernism, Holiday Powers argues that the pedagogy and transnational solidarities of this generation of artists were intrinsic to their broader artistic projects. She advances a novel reading of Moroccan modernism that is rooted in its cosmopolitan national context and in Pan-Africanism and Pan-Arabism, the transnational anticolonial intellectual movements that defined the era.
Trafficking in Slavery’s Wake
Women and children have been bartered, pawned, bought, and sold within and beyond Africa for longer than records have existed. This important collection examines the ways trafficking in women and children has changed from the aftermath of the “end of slavery” in Africa from the late nineteenth century to the present. The formal abolition of the slave trade and slavery did not end the demand for servile women and children. Contemporary forms of human trafficking are deeply interwoven with their historical precursors, and scholars and activists need to be informed about the long history of trafficking in order to better assess and confront its contemporary forms. This book brings together ...
