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The Ketcheson Family
William K. Ketchison was born 7 July 1759 in Howden, Yorkshire, England. His parents were William Ketchison (1736-1763) and Sally Ayr. He emigrated in 1775 and settled in Virginia. He fought with the British in the American Revolution. He married Mary Rull (1761-1842) 16 March 1779 in Bedford, New York. They had ten children. They migrated to Canada in 1783 and settled first in Nova Scotia and then moved to Sidney, Ontario. William died in 1848 in Belleville, Ontario. Descendants and relatives lived throughout Ontario.
The Writings of James Barry and the Genre of History Painting, 1775–1809
Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist’s writings. Liam Lenihan critically assesses the artist’s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan’s book delves into the connections between Barry’s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions.
Living with the Royal Academy
Living with the Royal Academy directs attention to the textures of artists' relationships with the Royal Academy in late-eighteenth- and early-nineteenth-century Britain. This essay collection considers the Academy as a lived organism, one whose most effective role was as a reference point around which artists operated in their relationships with each other and with artistic practice itself.
Hawkeye Heritage
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The Political Economy of Art
"Political economy is defined in this volume as collective state or corporate support for art and architecture in the public sphere intended to be accessible to the widest possible public, raising questions about the relationship of the state to cultural production and consumption. This collection of essays explores the political economy of art from the perspective of the artist or from analysis of art's production and consumption, emphasizing the art side of the relationship between art and state. This volume explores art as public good, a central issue in political economy. Essays examine specific cultural spaces as points of struggle between economic and cultural processes. Essays focus on three areas of conflict: theories of political economy put into practices of state cultural production, sculptural and architectural monuments commissioned by state and corporate entities, and conflicts and critiques of state investments in culture by artists and the public."--amazon.com edit. desc.
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