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[I tell her] “golf is sacred. Holy. Sacrosanct.” I like that. Sacrosanct. So she tells me about this article she read, about the attitude of the average middle-aged guy toward the game of golf…Anyway, according to Darlene, the idea behind this stupid article is that at a certain age, men give up on sex and spend all their time and energy on golf instead. To which I asked, So what’s your point? That didn’t go down so well. (Jack in Act I) The landscape of middle-aged male bravado and angst that Eugene Stickland populates here with Calgary oilmen and their romantic difficulties has been visited before—by John Updike, Richard Ford, and other prose writers of the past generation. But rarely has it been visited in dramatic form with the combination of broad humor and gentle wit that Stickland brings to this new comedy. Midlife is being published in conjunction with its world premiere as part of Alberta Theatre Projects playRites Festival, February/March 2002.
Two plays about love, loss, and the struggle for life.
“Turning to face north, face the north, we enter our own unconscious. Always, in retrospect, the journey north has the quality of dream.” Margaret Atwood, “True North” In this interdisciplinary collection, sixteen scholars from twelve countries explore the notion of the North as a realm of the supernatural. This region has long been associated with sorcerous inhabitants, mythical tribes, metaphysical forces of good and evil, and a range of supernatural qualities. It was both the sacred abode of the gods and a feared source of menacing invaders and otherworldly beings. Whether from the perspective of traditional Jewish lore or of contemporary black metal music, few motifs in European cultural history show such longevity and broad appeal. Contributors: Eleanor Rosamund Barraclough, Angela Byrne, Danielle Marie Cudmore, Stefan Donecker, Brenda S. Gardenour Walter, Silvije Habulinec, Erica Hill, Jay Johnston, Maria Kasyanova, Jan Leichsenring, Shane McCorristine, Jennifer E. Michaels, Ya’acov Sarig, Rudolf Simek, Athanasios Votsis, Brian Walter
Finalist for the 2012 Governor General's Award for Drama Penelope Douglas is an ex–forensic psychiatrist looking for a fresh start in a western boomtown grown three sizes too crazy. But then a television writer offs himself in her sleek bathroom and her oil-wife friend pronounces Penelope her baby's godmother. Will she be able to find heart in this wild and soulless landscape? Will she have to smudge her lipstick to "cowboy up"? Drama, a new play by the master of edgy dark humor, has all the answers. Karen Hines is the author of Hello . . . Hello (A Romantic Satire) and The Pochsy Plays. A Second City alumna, Hines has appeared in numerous television and film productions and is the director of cult horror clowns Mump & Smoot.
Hippies and Bolsheviks and Other Plays collects three works by one of Canada's dramatic luminaries. Hippies and Bolsheviks is set in that hotbed of hippie idealism, 1970s British Columbia. Young Star stumbles home from a Led Zeppelin concert with a draft dodger and sets in motion a crisis of love and of faith in their idealism against the Establishment. In Lena's Car , a woman whose marriage is on the verge of collapse reflects on how it got to that point, harkening back to a youth when things were both more simple and more complicated. In The Wedding Pool , a group of dissatisfied single friends decide to each contribute fifty dollars a month to a pool to be collected by the first one to marry. But when one of the friends starts dating the bank teller who opens their account, the others are forced to confront their ideas about loneliness and personal responsibility. ' The Wedding Pool is a particularly smart and entertaining example of the thirtysomething angst genre.' - The Globe and Mail 'If Hippies and Bolsheviks is any indication of the quality of work at this years playrites Festival, Calgary theatregoers are in for a phenomenal month.' Calgary Sun
West-words gives the reader a bird's-eye view of the contemporary theatre scene across the prairies.
This bittersweet love story features enchanting music, a mysterious countess, Antonio Vivaldi, and a violin. The Red Priest is a poignant variation on the themes of love and freedom by one of Alberta's most exceptional young artists.
The plays in this volume include: Noble Savage, Savage Noble by Bob Armstrong; The Invalids by George Hunka; Saddles in the Rain by Pam Bustin; Ka'ma'mo'pi cik/The Gathering: The Calling Lakes Community Play by Rachel Van Fossen and Darrel Wildcat; Letters in Wartime by Kenneth Brown and Stephen Scriver and Einstein's Gift by Vern Thiessen.
Includes detailed listings of all major Shakespeare plays on stage and screen, this book covers performances in North America since 1991. It uniquely explores each plays' performance history, as well as including reviews and useful information about staging. An engaging reference guide for academics and students alike.
Contains the award-winning play "The Red Priest" and Ouchi's new play, "The Blue Light."