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William Daniell's Isle of Skye and Raasay brings together 17 aquatint prints and 10 pencil sketches from the Hebridean islands of Eigg, Rum, Skye and Raasay, and photographs showing these views as they are today.
"Contains an itemized list of the births, marriages, and deaths found in approximately 1,000 family Bibles ... The collection spans a period stretching from the early 1700s to the 1900s."--Note to the Reader.
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Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
Advanced Statistics provides a rigorous development of statistics that emphasizes the definition and study of numerical measures that describe population variables. Volume 1 studies properties of commonly used descriptive measures. Volume 2 considers use of sampling from populations to draw inferences concerning properties of populations. The volumes are intended for use by graduate students in statistics and professional statisticians, although no specific prior knowledge of statistics is assumed. The rigorous treatment of statistical concepts requires that the reader be familiar with mathematical analysis and linear algebra, so that open sets, continuous functions, differentials, Raman integrals, matrices, and vectors are familiar terms.
In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a center for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to make Chennai a recognizable "brand" among investment and travel destinations. Using a range of textual, visual, architectural, and ethnographic sources, Hancock grapples with the question of how people in Chennai remember and represent their past, considering the political and economic contexts and implications of those memory practices. Working from specific sites, including a historic district created around an ancient Hindu temple, a living history museum, neo-traditional and vernacular architecture, and political memorials, Hancock examines the spatialization of memory under the conditions of neoliberalism.
John Daniell is a rubgy mercenary. A brutal word for an often brutal game. In 1996, when Rugby Union turned professional, John emigrated to France where he played for a decade in top competitions. His team ricocheted between fear and ecstasy, as they battled to save the club from relegation and their careers from the scrap heap. Now he lifts the lid on the dark world of the journeyman player, where losing a home game is considered a crime, coaches and club owners will do anything to win, and agents ruthlessly manipulate players. His compelling confessions are both shocking and funny, taking you behind the scenes, onto the field and into the very heart of the scrum.