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Poetry. African & African American Studies. "THE DEAR REMOTE NEARNESS OF YOU speaks poetry's origin in new and startling ways. This is the precise intelligence that knows it must step carefully across the light on the surface of the water... These poems form the contiguous dance of language choosing its own body at will, traveling across light and the dimensions of unarticulated history. This is the word rubbed onto the palimpsest of our being, the careful solo soprano in the space where music ends and poetry moves in to name what is eternal and what is only in the abbreviation of now. What a delightful book from Boston's Poet Laureate." Afaa Michael Weaver"
Poetry. Caribbean Studies. Ida Faubert (1882--1969) is a 20th-century Haitian-French poet considered a Caribbean--and especially Haitian--literary foremother. An English-language volume of Faubert's makes her work more widely accessible to students, scholars, and readers of Latin-American, African-diasporic, Caribbean and Haitian letters; and more generally available to readers of poetry and the poetry of women. Born in Port-au-Prince and reared in Paris, Faubert neither easily fit socially-prescribed categories for women of color in France or Haiti, nor conformed to them--living and burning through France's Belle Ã%poque, world wars, and Haiti's Indigenist revolt in art. Bicultural, biracial, privileged, and complex, Faubert was a deft writer and socialite who promoted and participated in the movements of Haitian writers and literature in Haiti and France. While her work is garnering growing critical attention, she is seen as one of Haiti's great women poets.
Presents a collection of poems that explore the author's experiences as a Haitian immigrant in America.
LETTERS FROM CONGO, a powerful collection of 13 intimate poems, written as letters, by Haitian-American poet Danielle Legros Georges, that invites readers to journey every air mile traveled by a family trying to survive the perpetual uncertainty of life in exile.
A Haitian-born, Boston-based poet explores the personal and political stories of the Haitians who were part of Congo’s 1960s decolonization movement Between 1960 and 1975, thousands of Haitian professionals emigrated to Congo, a fellow Black francophone nation that emerged under the revolutionary new leadership of Patrice Lumumba. As Danielle Legros Georges writes in the introduction to this collection, these émigrés sought to “escape repression in Haiti, start new lives in Africa, and participate in a decolonizing Congo.” Among them were her parents. Grounded in these personal and social histories, Three Leaves, Three Roots is a collection of Legros Georges’s creative reconstruc...
A unique anthology that illuminates the history and the art of translating poetry into English Into English allows readers an extraordinary opportunity to experience the process and artistry of translating poetry. Editors Martha Collins and Kevin Prufer invited twenty-five contributors, all of them translators and most of them also poets, to select one poem in another language and three English translations of it, and then to provide an essay about the challenges and rewards of translating it. This anthology offers the original poem and the translations side by side, so readers can compare the translations for themselves. The original poems are from across time and around the world. The poet...
Stories of crime and corruption set in this Caribbean country by Edwidge Danticat, Roxane Gay, Dany Laferrière, and more. These darkly suspenseful stories offer a deeper and more nuanced look at a nation that has been plagued by poverty, political upheaval, and natural disaster, yet endures even through the bleakest times. Filled with tough characters and twisting plots, they reveal the multitude of human stories that comprise the heart of Haiti. Classic stories by Danielle Legros Georges, Jacques Roumain, Ida Faubert, Jacques-Stephen Alexis, Jan J. Dominique, Paulette Poujol Oriol, Lyonel Trouillot, Emmelie Prophète, Ben Fountain, Dany Laferrière, Georges Anglade, Edwidge Danticat, Michèle Voltaire Marcelin, Èzili Dantò, Marie-Hélène Laforest, Nick Stone, Marilène Phipps-Kettlewell, Myriam J.A. Chancey, and Roxane Gay. “Skillfully uses a popular genre to help us better understand an often frustratingly complex and indecipherable society.” —The Miami Herald “Presents an excellent array of writers, primarily Haitian, whose graphic descriptions portray a country ravaged by corruption, crime, and mystery. . . . A must read for everyone.” —The Caribbean Writer
"Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time, as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation"--
"We now live in the "Age of Trump," whether we wish to admit it or not. The backlash represented by 45 is not only political, but cultural and linguistic as well. Because Trump and his ilk divorce language from meaning, we now live in an age of hyper-euphemism, where "alt-right" refers to what everyone, even apologists, once called "white supremacy." However, as What Saves Us editor Martin Espada observes, poets have a particular gift for reconciling language and meaning, for calling things and people by their right names, for restoring the blood to words. Furthermore, poets are well qualified to document this historical moment--and the more astonishing the moment, the more surreal or ominou...
In an ambitious first book Lee Okan draws a daring parallel between the life of the universe and our own lives and loves. Here is a remarkable weaving of metaphysics and physics, in dreamlike writing as much poetry as prose. Here is a fiction aware of its construction - and willing to let us witness its sequences and discoveries. -- Danielle Legros Georges, Poet Laureate, City of Boston