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Wound Building
"Wound Building is a volume of essays, with digressions, on one group of contemporary poets active in a self-organizing political poetry scene in the UK, most of whom have little to no audience outside of the little magazines that they publish and the reading series they put on. The book is a front-line report on the rapid development of this poetry in the period between 2015 and 2020, with a particular focus on the relationship of poetry to violence and its representation ... Ultimately, Hayward argues that the lessons this poetry teaches is never to write a "worthy" narrative when a fucked up collage will do. Rather than a cohesive "account" of a "school" of poets, or a "contribution" to t...
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A new long poem for half a voice on the subject of despised knowledge and political invisibility, published alongside a selection of shorter poems and essays dealing variously with the merging and commingling of smartphones and human bodies, the role of elegy in the mid-2000s, the social basis of fascism in the 2010s, social class, and the symbolic dysmorphia of the British high street. All of the work collected here circles around two central relationships: between politics and knowledge, and between poetic language and speech.
The Origin of Capitalism in England, 1400–1600
Incorporating original archival research and a series of critiques of recent accounts of economic development in pre-modern England, in The Origin of Capitalism in England, 1400-1600, Spencer Dimmock has produced a challenging and multi-layered account of a historical rupture in English feudal society which led to the first sustained transition to agrarian capitalism and consequent industrial revolution. Genuinely integrating political, social and economic themes, Spencer Dimmock views capitalism broadly as a form of society rather than narrowly as an economic system. He firmly locates its beginnings with conflicting social agencies in a closely defined historical context rather than with evolutionary and transhistorical commercial developments, and will thus stimulate a thorough reappraisal of current orthodoxies on the transition to capitalism.
Landscape between Ideology and the Aesthetic
At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.
US Trotskyism 1928-1965. Part I: Emergence
U.S. Trotskyism 1928-1965. Part I: Emergence -- Left Opposition in the United States is the first of a documentary trilogy on a revolutionary socialist split-off from the U.S. Communist Party, reflecting Leon Trotsky’s confrontation with Stalinism in the global Communist movement. Spanning 1928 to 1940, this volume surveys important U.S. labor struggles in the 1930s, early efforts to comprehend the so-called “Negro Question,” and substantial contributions to the study history and the development of Marxist theory. Also covered are confrontations and convergences with other currents on the Left, internal debates and splits among Trotskyists themselves, and repressive efforts by the U.S. government in the first Smith Act Trial. Scholars and activists will find much of interest in these primary sources.
The Popular Front Novel in Britain, 1934-1940
In The Popular Front Novel in Britain, 1934-1940, Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfield, Lewis Jones and James Barke, Taylor shows that the realist novel of the left was a key site in which the politics of anti-fascist alliance were rehearsed. Maintaining a dialogue with theories of populism and with Georg Lukács’s vision of a revived literary realism ensuing from the Popular Front, this book at once illuminates the cultural formation of the Popular Front in Britain and proposes a new framework for reading British fiction of this period.
Speculation as a Mode of Production
In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno’s negative dialectic, her work pursues speculation through its contested terrains of philosophy, finance, and art, to arrive at the most detailed analysis that we now possess of the role of speculation in the shaping of subjectivity by value relations. Featuring detailed critical discussions of recent tendencies in the artistic representation of labour, and a brilliant reconstruction of the philosophical concept of the speculative from its origins in German Romanticism, Speculation as a Mode of Production is an essential, widescreen theorisation of capital’s drive to self-expansion, and an urgent corrective to the narrow and one-sided periodisations to which it is most commonly subjected.
What Went Wrong? The Nicaraguan Revolution
This volume is a valuable re-assessment of the Nicaraguan Revolution by a Marxist historian of Latin American political history. It shows that the FSLN (‘the Sandinistas’), with politics principally shaped by Soviet and Cuban Communism, never had a commitment to genuine democracy either within the revolutionary movement or within society at large; that the FSLN’s lack of commitment to democracy was a key factor in the way that revolution was betrayed from the 1970s to the 1990s; and that the FSLN’s lack of rank-and-file democracy left all decision-making to the National Directorate and ultimately placed that power in the hands of Daniel Ortega. Pursuing his narrative into the present, La Botz shows that, once their would-be bureaucratic ruling class project was defeated, Ortega and the FSLN leadership turned to an alliance with the capitalist class.
War, Capital, and the Dutch State (1588-1795)
In War, Capital, and the Dutch State (1588-1795), Pepijn Brandon traces the interaction between state and capital in the organisation of warfare in the Dutch Republic from the Dutch Revolt of the sixteenth century to the Batavian Revolution of 1795. Combining deep theoretical insight with a thorough examination of original source material, ranging from the role of the Dutch East- and West-India Companies to the inner workings of the Amsterdam naval shipyard, and from state policy to the role of private intermediaries in military finance, Brandon provides a sweeping new interpretation of the rise and fall of the Dutch Republic as a hegemonic power within the early modern capitalist world-system. Winner of the 2014 D.J. Veegens prize, awarded by the Royal Holland Society of Sciences and Humanities. Shortlisted for the 2015 World Economic History Congress dissertation prize (early modern period).
The Making of Capitalism in France
Very few authors have addressed the origins of capitalism in France as the emergence of a distinct form of historical society, premised on a new configuration of social power, rather than as an extension of commercial activities liberated from feudal obstacles. Xavier Lafrance offers the first thorough historical analysis of the origins of capitalist social property relations in France from a 'political Marxist' or (Capital-centric Marxist) perspective. Putting emphasis on the role of the state, The Making of Capitalism in France shows how the capitalist system was first imported into this country in an industrial form, and considerably later than is usually assumed. This work demonstrates that the French Revolution was not capitalist, and in fact consolidated customary regulations that formed the bedrock of the formation of the working class.
