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This book is the first comprehensive monograph on Polish modern architect Jerzy Sołtan’s work including his designs, theory, and teachings in Poland and America based on extensive archival research and oral history interviews with former students. The Life and Work of Jerzy Sołtan takes the reader on a journey to both sides of the iron curtain, the communist Poland and the capitalist United States, contributing to the existing scholarship on modernism in post-socialist counties, on CIAM, and on Team 10. It pictures Sołtan as a central player in the history of modernism, building on his own contribution and on close relationships with Le Corbusier and Team 10. This book illustrates not o...
This volume will be of interest to everyone seeking to understand the relationship between war as an historical narrative and its representation in the arts and in culture, notably in literature, film, theatre and music. More specifically, it will be of the greatest interest to undergraduates, postgraduates, researchers and academics in a wide range of disciplines, including literary studies, film and drama studies, music, and history. The Introduction, by Jay Winter, sets the context, particularly with reference to the First World War, while the Conclusion summarises the significance of the research undertaken and its value for future research. This book will also have an impact on writers, publishers and organizers of exhibitions, museums, memorial sites and monuments whose influence in the field of war and memory has been increasing steadily in recent years. The imminent celebrations and commemorations pertaining to the Great War, beginning in 2014, together with the imminence of the seventieth anniversary of the end of the Second World War in 2015, will provide additional stimuli to public attention in this area over the next few years.
Drawing on thousands of historical documents from Polish and Dutch archives, this book explores Cold War cultural exchange between so-called ‘smaller powers’ of this global conflict, which thus far has been predominately explored from the perspective of the two superpowers or more pivotal countries. By looking at how cultural, artistic and scholarly relations were developed between Poland and the Netherlands, Michał Wenderski sheds new light on the history of the Cultural Cold War that was not always orchestrated solely by its main players. Less pivotal states – for example, Poland and the Netherlands – likewise intentionally created their international cultural policies and shaped their cultural exchange with countries from the other side of the Iron Curtain. This study reconstructs these policies and identifies the varying factors that influenced them – both official and less formal. The book will be of interest to scholars working in art history, history of the Cold War, post-war European history, international cultural relations, Dutch studies and Polish studies.
The United States Holocaust Memorial Museum Encyclopedia of Camps and Ghettos, 1933–1945, Volume IV aims to provide as much basic information as possible about individual camps and other detention facilities. Why were they established? Who ran them? What kinds of prisoners did they hold? What kinds of work did the prisoners do, and for whom? What were the conditions like? The entries detail the sources from which the authors drew their material, so future scholars can expand upon the work. Finally, and perhaps most important, this is a work of memorialization: it preserves the histories of places where people suffered and died. Volume IV examines an under-researched segment of the larger N...
A century-long struggle to make a borderland population into loyal Germans or Poles drove nationalist activists to radical measures.
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Interesują mnie ludzie w ruchu: ci przemykający przez górnośląskie pogranicze albo przybysze z daleka, którzy w nie wrośli, albo tacy, którzy choć tu urodzeni, odfrunęli daleko. Wychowani w jednej kulturze, zafascynowani inną, zmieniający wiarę, kraj, język. Aktywni i ambitni, niemarnujący życia. Bohaterowie dynamiczni. Autor Cokoły przechodnie to zbiór biogramów mniej znanych Ślązaków i postaci związanych z tym regionem, żyjących tu i działających na przestrzeni XIX i XX wieku, zapomnianych bądź świadomie wymazanych z kart historii. Jak pisze Piotr Fuglewicz, to dwa tuziny portretów ludzi z górnośląskiego pogranicza ukazane na tle jego skomplikowanych, nier...
In The Political Potential of Upper Silesian Ethnoregionalist Movement: A Study in Ethnic Identity and Political Behaviours of Upper Silesians Anna Muś offers a study on the phenomenon of ethnoregionalism in one of the regions in Poland. Since 1945, ethnopolitics in Poland have been based on the so-called assumption of the ethnic homogeneity of the Polish nation. Even the transformation of the political system to a fully democratic one in 1989 did not truly change it. However, over the last three decades, we can observe growing discontent in Upper Silesia and the politicisation of Silesian ethnicity. This is happening in a region with its own history of autonomy and culturally diversified society, where an ethnoregionalist political movement appeared already in 1989.