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Hallur Mortensen examines the concept of God in Mark's Gospel, with particular emphasis on the baptismal scene of 1:9-11. This he closely relates to the beginning and end of the prologue (1:2-3 and 1:14-15) concerning the coming of the Lord, the gospel, and the kingdom of God. The allusions of the divine voice to Psalm 2 and Isaiah 42 reveal the function and identity of Jesus as the Son of God and thus also of God as the father of Jesus. The identity and descent of the Spirit at the baptism as an anointing is discussed in detail, and has a critical function in the coming of the kingdom and the defeat of Satan. These aspects are examined in the context of Jewish monotheism and what Hans W. Frei calls the "intention-action description" of identity - that 'being' is constituted by 'action' - and Mortensen thus argues that Mark's Gospel portrays a proto- and narrative trinitarian conception of God.
In the age of the Theodosian dynasty and the establishment of Christianity as the only legitimate religion of the Roman Empire, few figures are more pivotal in the power politics of the Christian church than archbishop Theophilus of Alexandria (385-412). This work examines the involvement of archbishop Theophilus in the so-called First Origenist Controversy when the famed third-century Greek theologian Origen received, a century and a half after his death, a formal condemnation for heresy. Modern scholars have been successful in removing the majority of the charges which Theophilus laid on Origen as not giving a fair representation of his thought. Yet no sufficient explanation has been offer...
Joshua D. A. Bloor argues that the purification of the consciousness of sin, via Jesus' perpetual heavenly blood offering, is a vital motif for understanding Hebrews' sacrificial argumentation, and vice-versa. Jesus' 'objective' earthly achievements are many, yet only his 'subjective' heavenly blood offering purges the heavenly tabernacle and subsequently the consciousness of sin. Bloor views the Levitical cult as having a positive role in Hebrews, with Levitical 'guilt' foreshadowing and informing Hebrews' notion of the 'consciousness of sin'. Levitical sacrifices could purge the consciousness, but only Jesus' heavenly blood can offer complete perpetual purgation. This blood is a qualitativ...
The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages. Features: Reviews of new books written by top scholars Topical divisions make research easy Indexes of authors and editors, reviewers, and publishers
Setting the details of Hanan Ashrawi's public and private life into the context of the Middle East's violent history, Victor gives equal time to anecdote and analysis, and impartially traces recent developments in the Israeli/Palestinian peace accord.
Je suis un Méline, mi vampire, mi loup-garou, j'erre depuis des décennies dans le monde des hommes, qui ne me servent que de nourriture, à la recherche de créatures de la nuit. Je me nomme Taryos, seul survivant d'une guerre contre une race que je considérais inférieure : les humains. 391 années se sont écoulées, durant lesquelles je n'ai pas cessé de chercher quelqu'un qui pourrait répondre à mes questions. Alors que j'avais perdu tout espoir, c'est à Plaisance en Italie que je fis la connaissance de Terek, un vampire de la catégorie des vycans. Alors que nous allions nous affronter une jeune femme nous interrompit. Je l'avais re-marqué plus tôt dans le bar où je me trouvais. Cette rencontre a bouleversé ma vie ! En lui sau-vant la vie, j'étais loin de me douter de ce qui allait arriver...
Buku ini adalah nutrisi bagi pertumbuhan rohani pada tahap awalmenuju kedewasaan rohani. Membentuk rohani yang kuat dan matang, dan kehidupan yang menjadi berkat bagi sesamam serta bangsa dan negara.
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
Most studies on the theme of Passover in the Gospel of Luke have been confined to the story of the Last Supper (Luke 22:1--20). Dany Christopher, on the contrary, seeks to show where, how, and why Luke uses the theme of Passover throughout his two writings (Luke-Acts).