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Perpetual Happiness
The reign of Emperor Yongle, or “Perpetual Happiness,” was one of the most dramatic and significant in Chinese history. It began with civil war and a bloody coup, saw the construction of the Forbidden City, the completion of the Grand Canal, consolidation of the imperial bureaucracy, and expansion of China’s territory into Mongolia, Manchuria, and Vietnam. Beginning with an hour-by-hour account of one day in Yongle’s court, Shih-shan Henry Tsai presents the multiple dimensions of the life of Yongle (Zhu Di, 1360-1424) in fascinating detail. Tsai examines the role of birth, education, and tradition in molding the emperor’s personality and values, and paints a rich portrait of a man characterized by stark contrasts. Synthesizing primary and secondary source materials, he has crafted a colorful biography of the most renowned of the Ming emperors.
Fire in the Valley
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Goddess of the Luo River
Cai Yuanpei A Musical Written in Chinese by Wang Haiping Translated into English by Ouyang Yu The topic and the theme: The New Culture Movement has a far-reaching impact in the modern history of China. Back then, the New Culture Movement, as the ideological foundation of the May Fourth Movement, played a role in ideological enlightenment and iberation. While the May Fourth Movement became the explicit state and the political form of radical revolution, its hidden state and the movement of comprehensive social forms at a deeper level are continuing, and the cultural modernising movement is also continuing as the shifting spirit and spiritual support of modernisation in China. As China is in the process of change, moving from a xiaokang society to a more affluent society, the central government has offered the challenge of great development and great prosperity that requires us to look back at history and to rethink on an ideological and cultural level. The thinking style, therefore, of Cai Yuanpei in the New Culture Movement is a typical subject.
Family Instructions for the Yan Clan and Other Works by Yan Zhitui (531–590s)
Yan Zhitui (531–590s) was a courtier and cultural luminary who lived a colourful life during one of the most chaotic periods, known as the Northern and Southern Dynasties, in Chinese history. Beginning his career in the southern Liang court, he was taken captive to the north after the Liang capital fell, and served several northern dynasties. Today he remains one of the best-known medieval writers for his book-length “family instructions” (jiaxun), the earliest surviving and the most influential of its kind. Completed in his last years, the work resembles a long letter addressed to his sons, in which he discusses a wide range of topics from family relations and remarriage to religious ...
Appearance Politics
Lex Lu argues in Appearance Politics that crafting an appealing and powerful outward image has long been an essential political instrument in China. Its traces may be found in historical records, imperial portraits, physiognomic prognostications, photographs, posters, statues, and digital images. Employing rare archival materials from Beijing, Shanghai, and Nanjing, Lu tells the story of these political maneuverings. We learn the ways in which political actors and their agents designed their images, and we observe the shifting standards of male beauty that guided their decisions. Appearance Politics examines five case studies: the usurpation of Ming Prince Zhu Di; the rise of Manchu masculinity and its mixed standards of Han Chinese and Manchu beauty at the Yongzheng court; the use of modern photography and Western male beauty standards at the turn of the twentieth century; the making of the Republican founding father Sun Yat-sen; and the creation of visual templates of Mao Zedong. Lu's rich empirical study counters systematic stereotypical descriptions of Chinese male leadership embedded in Western media and scholarship.
Shaw
SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in whic...
History of Ming Dynasty (Part I)
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
An Annotated Bibliography for Taiwan Film Studies
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the dispar...
Great Master
Sly! A sect that had drifted away from orthodox Taoism and had long been submerged in the mists of history. Even though the Lord had massacred everything in the world, he had actually made a Grandmaster in all of history. Battle Empire's Assassin, Nie Zheng, Prime Minister Chen Ping, War God Han Xin, Huang Shuang, who ascended after killing all the evil spirits of the world, Dao Yan, who cultivated both Buddhism and Dao by Zhu Di's side, and a famous doctor of the Qing Dynasty, Ye Tong, how did they go from an ordinary mortal to an illustrious and illustrious Grandmaster? And why did he hide his identity, making it so that the crafty dao could not leave its name in history? The deceitful Dao...
Enchanting God And Destroying Immortal
Dongsheng Shenzhou, Nanfan Buzhou, Xiniu Hezhou, and Beiju Luzhou are the four major continents of the immortal world. However, it is said that they were actually a continent in ancient times, because at that time there were two Taoist schools---Hanjiao and Jiejiao. It was a great war that caused the continent to be divided into four parts. What is the reason for the two branches of the same line to fight in the same room? In the end, why did Jiejiao fail so badly and even the inheritance was destroyed? Why did the brothers of Yuanshi Tianzun, the leader of the evangelistic religion, and the brothers of the leader of the Jiejiao Tongtian meet in battle, and eventually lead to a situation of endless death?
