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Phulkari
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, March 12-July 9, 2017.
War Imagery in Women's Textiles
Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings.
Kantha
This first book-length study on kanthas published outside of South Asia focuses on two premier collections, one assembled by the legendary historian of Indian art, Dr. Stella Kramrisch, the other by Jill and Sheldon Bonovitz, leading proponents of self-taught art. Created from worn-out garments imaginatively embroidered by women with motifs and tales drawn from a rich regional repertoire, kanthas traditionally were stitched as gifts for births, weddings, and other family occasions. Innovative essays by leading scholars explore the domestic, ritual, and historical contexts of the fascinating quilts in these collections--made between the mid-19th and mid-20th century in what is today Bangladesh and West Bengal, India--and trace their reinterpretation as emblems of national identity and works of art.
India and Beyond
First published in 1997. The International Institute for Asian Studies (lIAS) is pleased to introduce a new series 'Studies from the International Institute for Asian Studies'. This present volume, India and Beyond; Aspects of Literature Meaning, Ritual and Thought, contains more than 30 contributions from well-established scholars from different disciplinary backgrounds. These essays are in honour of one of the founding fathers of the lIAS, Frits Staal, Professor Emeritus of Philosophy and South Asian Languages, University of California at Berkeley. This volume is edited by Dick van der Meij, editor of the Indonesian-Netherlands Cooperation in Islamic Studies Programme at Leiden University.
Chakshudana or Opening the Eyes
Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors, and priests. The ritual offers gods access to the mortal world. This practice, applied to the study of material and visual culture, offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies. This volume takes the process of seeing as its focus—to look closely, remaining true to the object, but also to see widely—from multiple subjective stances and diverse bodily engagements such as walking to dreaming, glancing to looking askance, hypnotic stares, and to see beyond the...
The Sculpture of Early Medieval Rajasthan
A survey of artistic, religious, and historical developments in early medieval Rajasthan. It analyzes patterns of change in temple sculpture and architecture, and argues for a reinterpretation of the relationship between art, religion, and politics.
Gods, Guardians, and Lovers
A comprehensive catalogue on temple sculptures from North India from the 8th to the 13th centuries, featuring rare stone sculptures from Indian and American museum and private collections. It studies the complexity of diverse forms in a medieval Indian temple as well as fluid functional relationship between different types of forms. It also examines the plethora of forms that grace temple walls and interiors, and studies them as individual, aesthetic objects in a narrowly defined art-historical sense and to place them in a more comprehensive architectural, religious and cultural context.
Intimate Worlds
One of the world's finest private collections of Indian 'miniature' paintings, a promised bequest to the Philadelphia Museum of Art, is represented by some 90 works of art created in workshops across India over the course of four centuries. The paintings, all reproduced in full color and accompanied by a detailed scholarly examination, span the period from before the rise of Islamic Mughal rule in northern India during the 1500s to the heyday of the British Raj in the late 19th century. The 'intimate worlds' evoked by these images vividly illustrate Hindu, Muslim, and Jain religious stories; offer visions of life at court; and explore the pleasures and pains of love. Essays include a statement from the collector and an introductory history of courtly painting on the Indian subcontinent, as well as discussions of the history of the collecting of Indian art, hierarchies of taste, and the relationship between artists and patrons.
