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Siempre una ciudad habita en nuestro corazón y en nuestra imaginación. Se trata de la ciudad que habitamos en la infancia y que nos habita desde la infancia. La imagen de esa ciudad está en nosotros, en los pliegues más recónditos de nuestra memoria y nos seguirá donde vamos.
Challenging the Black Atlantic
The historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in Changó el gran putas (1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In Um defeito de cor (2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-Latin America as it gains increased visibility. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Black Cookstove
Winner of the 2006 Andrés Bello Award for Memory and Ibero-American Thought In this evocatively written book, Germán Patiño Ossa presents the cultural universe and national identities of Colombia through the lens of traditional cuisine. Focusing on the Cauca Valley, a fertile area in southwestern Colombia where Spanish, Native American, and African communities converged over the centuries, Patiño Ossa studies the food of these communities and its place in the region’s culture. Using Jorge Isaacs’s nineteenth-century Romantic novel María as a realistic source for cultural practices among Colombia’s slaveholding elite, Patiño Ossa examines cooking, kitchens, and the division of lab...
Rites, Rights and Rhythms
Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways it has been used: to praise the saints, to grap...
Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance
Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding the important role that African-influenced spiritualcultures play in literature that challenges the concept that European aesthetics are superior to African-inspired cultures. Thomas W. Edison highlights the novels of four courageous Caribbean writers who have used their novels to integrate aspects of African ontology with literary techniques, themes, and history. The common element in these works is the inclusion of African-inspired faith traditions and culture. As a result of this perspective, their literature stands out as keen examples of Ashé-Caribbean resistance literature. While each writer presents their unique literary style in the works, collectively they draw on a foundation of the Afro-Caribbean. The Circum-Caribbean region will be the geographical unit because of its collective history of slavery, colonial rule, and parallel patterns of religious syncretism. This book makes an important literary connection among Caribbean Hispanophone nations.
Llevarás la marca
Siempre una ciudad habita en nuestro corazón y en nuestra imaginación. Se trata de la ciudad que habitamos en la infancia y que nos habita desde la infancia. La imagen de esa ciudad está en nosotros, en los pliegues más recónditos de nuestra memoria y nos seguirá donde vamos.
