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Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.
Poetry. Women's Studies. Kearney draws on her acute powers of observation, a lively curiosity, and her gift for gorgeous imagery to take us on a journey of personal exploration, discovery, and reconciliation. Surprising poems bring together the parallel but discreet worlds of humans and birds, which speak to each other across the gulf between them. With a knowledge of birds and their behavior sufficient to satisfy even the most demanding birder, but never alienating the casual observer, with wit, musicality, and her unflinching eye, Kearney gives us a page-turner we want never to end, its subject being the work in progress which is life and its abundant mysteries. "This book goes well beyond...
Poetry that inhabits and queers bodies and lands in an ecosomatic investigation. Gut Botany charts my body / language living on indigenous land as a white settler and traveler," Petra Kuppers writes in the notes of her new poetry collection. Using a perfect cocktail of surrealist and situationist techniques, Kuppers submits to the work and to the land, moving through ancient fish, wounded bodies, and the space around her. The book invites the reader to navigate their own body through the peaks and pitfalls of pain, survival, sensual joy, and healing. Gut Botany is divided into eight sections. In "Court Theatre," Kuppers revisits courtroom performances following her sexual assault while drawi...
Publishes original reports of studies in all areas of abnormal development and related fields. It also welcomes reviews of topics of current significance and letters discussing papers that have appeard in Teratology or that deal with controversial scientific matters of interest to its readers.
Winner of the 2018 John Coates Next Generation Award from the Negro Leagues Research Committee of the Society for American Baseball Research Although many Americans think of Jackie Robinson when considering the story of segregation in baseball, a long history of tragedies and triumphs precede Robinson’s momentous debut with the Brooklyn Dodgers. From the pioneering Cuban Giants (1885-1915) to the Negro Leagues (1920-1960), Black baseball was a long-standing staple of African American communities. While many of its artifacts and statistics are lost, Black baseball figured vibrantly in films, novels, plays, and poems. In Invisible Ball of Dreams: Literary Representations of Baseball behind t...
Tess Taylor's much-anticipated lyric debut is at once a sensuous reckoning with an ambiguous family history and a haunting meditation on national legacy. The Forage House explores how we make stories, and how stories--even painful ones--make us.
Rich, philosophical, earthy poems of affliction and epiphany, inspired by Flannery O'Connor, Simone Weil, and Edith Stein.
Gaylord Brewer's ninth collection of poetry, Country of Ghost, is by turns harrowing, haunted, and darkly humorous, and always deeply felt. When the figure Ghost appears--crossing a bridge in Spain, beside a river of the dead in France, across a midnight lake in Finland--our speaker follows into a ravenous geography of longing and regret. In this astounding sequence of poems, who has summonsed whom? Brewer's folie à deux explores both the worlds of the living and of the dead, worlds alternately aching and tender, and of the spirits caught between them.
Luba, an invented female consciousness, is someone who loves travel, astronomy, poetry, sex, among other varied interests. She has her private sorrows as well as high kicks and thrills. She's an imagined Colette Inez who is intellectual and sparkles with ever-changing ideas and images, sometimes bordering on the surreal. Luba's eloquent musings and demeanor jolt us from the wondrously ethereal into moments of actuality.
"Grape is the sweetest betrayal. There is no removing the stain Of it say moms everywhere & Even if kids choose it last; They choose it, as loyal To its sugar as any...."When authorities converged on the Peoples Temple Agricultural Project, known as Jonestown, in Guyana on November 18, 1978, more than 900 members were found dead, the result of murder-suicide. The massacre, led by leader James "Jim" Jones, was the largest mass loss of American lives before September 11, 2001. Yet this event is largely absent in American history. When the mass deaths are remembered, it is usually comically or instructively: "Don't drink the Kool-Aid," as the majority of those who died that day drank or were in...