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K-Punk
Edited by Darren Ambrose and with a foreword by Simon Reynolds, this comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 Ð 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on ÒAcid CommunismÓ; and a number of important interviews from the last decade.
The Official Football Yearbook of the English and Scottish Leagues 2010-2011
Packed with exclusive stats, tables and fascinating facts, this is the record of the season's key moments and has all the best previews of the season to come.
Film, Nihilism and the Restoration of Belief
Despite the clichés which govern much of its current forms, the cinema continues to have a vital political and aesthetic significance. Our commitment to, and our sincerity towards, our ways of being in the world have become catastrophically eroded. Nihilism and despair have taken hold. We must find a way to renew our faith in our capacity to transform the world, a faith that will give us back the reality of a world eroded by the restrictive capitalist ontology of modernity. How can we restore belief in the reality of a world when scepticism and universal pessimism have taken hold? Is it possible to find alternative ways of living, being and thinking? This book will discuss the means by which some filmmakers have grasped the vocation of resisting and transforming the present, of cultivating new forms of belief in the world when total alienation seems inevitable. ,
There Is an Alternative
The book aims at interrogating the contemporary problematic of neoliberalism and its relationship to culture and ideology through the lens of a theoretical synthesis interweaving the emancipatory aesthetics of Herbert Marcuse, Fredric Jameson's pathbreaking analysis of the cultural logic of late capitalism, and the late Mark Fisher's work on "post-capitalist desire" and "acid communism." The main imperative is to formulate a possible (and, as it turns out, necessary) opening for aesthetic critique in the climate of contemporary neoliberal capitalism. This mode of aesthetic critique is then operationalized through an exemplary reading of the emancipatory poetics of Ben Lerner's 2014 novel "10:04."
Francis Bacon
Nine original and stimulating essays will celebrate the centenary of the birth of one of the greatest painters of thetwentieth century, Francis Bacon (1909¿1992). Since the artist¿s death his enigmatic paintings have inspired newthinking and methods of interpretation, and these essays, written by leading scholars from throughout the world,reflect an impressively wide and rich range of approaches.
Soccer, the Left, & the Farce of Multiculturalism
Soccer is the world's most popular sport, which makes it the most multicultural of sports. From this it should follow that the multicultural movement here in America would strongly support soccer. But instead of embracing the sport of the "Other," the movement has ignored sports, and while younger multiculturalists may be soccer fans, the older ones have generally clung to America's own sports. Soccer in America has ended up being a sport for those in the middle or even on the right rather than for those on the left. The people who show up at soccer games include fraternity jocks, sorority girls and members of the military, none of whom are thought of as multiculturalist or open-minded by those on the left. This book is about sports in America and the rest of the world. The many topics it explores include soccer's place in the world, a comparison of the sports environments in America and England, a critical examination of America's sports, the history of prejudice against soccer in America, and the failure of many of America's leftists to overcome that prejudice.
The Ideology of Competition in School Music
The Ideology of Competition in School Music explores competition as a structuring force in school music and provides critiques of that system from multiple philosophical and theoretical perspectives. Competition is seen by many music teachers, students, and supporters as natural and inevitable--a taken-for-granted aspect of music education or an irresistible force, rather than a choice. This book uncovers this ideological nature of competition and examines its effect on student learning, teacher agency, and equity within music education. It considers ways in which music educators might reconsider the role of competition in their teaching practice and offers alternative frameworks for organiz...
The Literature of Exclusion
In the early twentieth century, the Dadaists protested against art, nationalism, the individual subject, and technologized war. With their automatic anti-art and cultural disruptiveness, Dadaists sought to “signify no thing.” Today, data also operates autonomously. However, rather than dismantling tradition, data organizes, selects, combines, quantifies, and simplifies the complexity of actuality. Like Dada, data also signifies nothing. While Dadaists protest with purpose, data proceeds without intention. The individual in the early twentieth century agonizes over the alienation from daily life and the fear of being converted into a cog in a machine. Today, however, the individual in twe...
Ghosts of My Life
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.
On the Production of Subjectivity
This book offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.
