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Cast Painting Using the Sight-Size Approach
After cast drawing, cast painting is the next step for the student at many classical art ateliers. The first book of its kind, Cast Painting Using the Sight-Size Approach provides the student with all of the necessary information to succeed at Sight-Size cast painting in oil. In addition to teaching the theory and processes involved in cast painting, Cast Painting Using the Sight-Size Approach also has sections on materials and stretching canvas as well as a short commentary on the "unity of effect" with selections from R.A.M. Stevenson's 1895 edition of Velasquez. For more information about this and other books in the Sight-Size Library as well as instructional DVD's and Sight-Size in general please direct your web browser to www.Sight-Size.com.
The Sight-Size Cast
Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.
Cast Drawing Using the Sight-size Approach
The first book of its kind, "Cast Drawing Using the Sight-Size Approach" teaches the student a systematic way to meet the challenges of drawing.
Cast Drawing in Sight-Size: An Atelier Manual
Cast Drawing in Sight-Size is your atelier manual for drawing plaster casts in Sight-Size. It is for everyone who is beginning their journey of learning how to see accurately and to draw what they see.
Memory Drawing
From the Introduction: If you think about it, all life drawing and painting is at some point being done from the artist's memory, even if that memory is only a few seconds old. Every time the artist takes their eyes off of the model or scene and looks at their paper or canvas, their visual memory is involved. What if that artist's visual memory was highly trained? That artist might need the model for a shorter period of time, or she might have a more productive time when the model is in pose. He might be better at painting all of the fleeting effects that nature throws at us when we are landscape painting en plein air. Although I encourage you to consistently engage in memory-drawing practic...
Drawing Made Easy with Selections from Practical Drawing
Once a classic drawing instruction manual that was used to teach countless children and young adults how to draw, Drawing Made Easy by E. G. Lutz is now back in print after many years absence. Hallmarks of his approach are simplifying complex shapes as well as working from big to small. These concepts, outlined in Drawing Made Easy, are simple enough for children to understand and yet the same principles are evident in many Old Master drawings. Also contained within this reprinted volume are selections from Lutz's earlier book, Practical Drawing.
Landscape Painting
In Landscape Painting, Lovell Birge Harrison reveals concepts and practices for deciphering nature's magnificence, intricacy, and color dynamics into convincing representations of space and light. A work that is both practical and inspirational.
The Charles Bargue Drawing Course
Nearly 200 plates from the master teacher's famous 19th-century drawing course comprise drawings of casts, chiefly from antiquity; lithographs in the style of drawings by Renaissance and modern masters; and male nudes. This affordable volume constitutes an essential guide for professional artists, students, art historians, and collectors.
Susan Fenimore Cooper
T hough primarily recognized as a nineteenth-century American nature writer and environmentalist who significantly influenced Henry David Thoreau, Susan Fenimore Cooper (1813-1894) was also an accomplished and productive author in other diverse genres and literary forms, including a novel. In the first book published that treats all of Susan Fenimore Cooper's known writings, preceded by a concise biographical chapter that includes material from Cooper's personal letters, Dr. Rosaly T. Kurth views her literary canon with a wide-ranging lens. In her compelling study, Dr. Kurth uniquely incorporates Cooper's philosophy of environmental stewardship, on which scholars have thus far focused, into ...
Painting the Visual Impression
This book is a summary of the fundamental ideas of representational painting that artists use to help them paint in a realistic manner. These concepts have been passed down from artist to student for generations. The author lists them in order of importance to help the working painter logically solve problems. He has added an "Index of Ideas" to help the artist commit them to memory. The first two sections of the book contain principles of composition and drawing. The main section deals with the impressionistic approach to painting nature in a broad manner with simplicity of detail. The author has included a section on helpful advice to students and an extensive reading list for further research. He also discusses how the artist can train his visual memory. Anyone with an interest in art can read this book and greatly increase their appreciation of classical painting.
