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The Sight-Size Cast
Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.
Memory Drawing
From the Introduction: If you think about it, all life drawing and painting is at some point being done from the artist's memory, even if that memory is only a few seconds old. Every time the artist takes their eyes off of the model or scene and looks at their paper or canvas, their visual memory is involved. What if that artist's visual memory was highly trained? That artist might need the model for a shorter period of time, or she might have a more productive time when the model is in pose. He might be better at painting all of the fleeting effects that nature throws at us when we are landscape painting en plein air. Although I encourage you to consistently engage in memory-drawing practic...
Cast Drawing Using the Sight-size Approach
The first book of its kind, "Cast Drawing Using the Sight-Size Approach" teaches the student a systematic way to meet the challenges of drawing.
Drawing Made Easy with Selections from Practical Drawing
Once a classic drawing instruction manual that was used to teach countless children and young adults how to draw, Drawing Made Easy by E. G. Lutz is now back in print after many years absence. Hallmarks of his approach are simplifying complex shapes as well as working from big to small. These concepts, outlined in Drawing Made Easy, are simple enough for children to understand and yet the same principles are evident in many Old Master drawings. Also contained within this reprinted volume are selections from Lutz's earlier book, Practical Drawing.
Cast Painting Using the Sight-Size Approach
After cast drawing, cast painting is the next step for the student at many classical art ateliers. The first book of its kind, Cast Painting Using the Sight-Size Approach provides the student with all of the necessary information to succeed at Sight-Size cast painting in oil. In addition to teaching the theory and processes involved in cast painting, Cast Painting Using the Sight-Size Approach also has sections on materials and stretching canvas as well as a short commentary on the "unity of effect" with selections from R.A.M. Stevenson's 1895 edition of Velasquez. For more information about this and other books in the Sight-Size Library as well as instructional DVD's and Sight-Size in general please direct your web browser to www.Sight-Size.com.
Landscape Painting
In Landscape Painting, Lovell Birge Harrison reveals concepts and practices for deciphering nature's magnificence, intricacy, and color dynamics into convincing representations of space and light. A work that is both practical and inspirational.
The Charles Bargue Drawing Course
Nearly 200 plates from the master teacher's famous 19th-century drawing course comprise drawings of casts, chiefly from antiquity; lithographs in the style of drawings by Renaissance and modern masters; and male nudes. This affordable volume constitutes an essential guide for professional artists, students, art historians, and collectors.
Painting the Visual Impression
This book is a summary of the fundamental ideas of representational painting that artists use to help them paint in a realistic manner. These concepts have been passed down from artist to student for generations. The author lists them in order of importance to help the working painter logically solve problems. He has added an "Index of Ideas" to help the artist commit them to memory. The first two sections of the book contain principles of composition and drawing. The main section deals with the impressionistic approach to painting nature in a broad manner with simplicity of detail. The author has included a section on helpful advice to students and an extensive reading list for further research. He also discusses how the artist can train his visual memory. Anyone with an interest in art can read this book and greatly increase their appreciation of classical painting.
The Training Of The Memory In Art: And The Education Of The Artist
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Practice and Science of Drawing
Permit me in the first place to anticipate the disappointment of any student who opens this book with the idea of finding "wrinkles" on how to draw faces, trees, clouds, or what not, short cuts to excellence in drawing, or any of the tricks so popular with the drawing masters of our grandmothers and still dearly loved by a large number of people. No good can come of such methods, for there are no short cuts to excellence. But help of a very practical kind it is the aim of the following pages to give; although it may be necessary to make a greater call upon the intelligence of the student than these Victorian methods attempted.
