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All Under Heaven
History of the author's family who emigrated from China in 1911 and settled in South Africa. Their family name was Fok. It was probably changed by immigration officials when they arrived.
Nothing but the Truth
An award-winning play about the relationship between brothers. Nothing but the Truth is the story of two brothers, of sibling rivalry, of exile, of memory and reconciliation, and the ambiguities of freedom. The play was John Kani's debut as sole playwright and was first performed in the Market Theatre in Johannesburg. It won the 2003 Fleur du Cap Award for best actor and best new South African play. In the same year Kani was also awarded a special Obie award for his extraordinary contribution to theatre in the USA.
The Routledge Reader in Politics and Performance
The Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance. Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on: * post-coloniality and performance theory and practice * critical theories and performance * intercultural perspectives * power, politics and the theatre * sexuality in performance * live arts and the media * theatre games.
A Thousand Tales of Johannesburg
A Thousand Tales of Johannesburg is Harry Kalmer’s spellbinding ode to Johannesburg and its people. This is the story of Sara, who poses stiffly for a photo with her four children at Turffontein concentration camp in 1901, and of Abraham, who paints the street names on Johannesburg’s kerbs. It is the tale of their grandson Zweig, a young architect who has to leave Johannesburg when he falls in love with the wrong person, and of Marceline, a Congolese mother who flees to the city only to be caught up in a wave of xenophobic violence. Spanning more than a hundred years, A Thousand Tales of Johannesburg is a novel that documents and probes the lives of the inhabitants of this incomparable African city – the exiled, those returning from exile, and those who never left.
Become a Better Writer
Improving the quality of your writing starts with rethinking your assumptions and developing healthier writing habits. This book will help you do both. Become a Better Writer: How to Write with Clarity and Simplicity is a practical guide for those who wish to write more clearly and concisely. Drawing on their extensive experience as writers and editors, the authors discuss tools and tips for making your writing accessible and meaningful to your target audience. The book is readable and engaging, covering different kinds of writing (including reports, essays, emails, novels and speeches) across a wide range of subjects. The examples discussed are derived from real-world material and are particularly relevant to the African context. The book will be especially useful to writers of non-fiction.
A Matter of Honour
The South African-born Chinese community is a tiny one, consisting of 10,000 to 12,000 members in a population of approximately 45 million. Throughout much of the history of this race-conscious country, the community has been ignored or neglected, and officially classed along with people of mixed race or with Indians in the South African category of 'Asiatic'. Shaped by both external and internal forces, Chinese identities in South Africa are beginning to receive more media and scholarly attention as China's aid, trade, and investment in Africa grow and large numbers of new Chinese immigrants stream into South Africa and other African states. A Matter of Honour examines the shifting social, ...
The Athenian Sun in an African Sky
Western literature has become more influential in Africa since the independence of many of that continent's countries in the early 1960s. In particular, Greek tragedy has grown as model and inspiration for African theatre artists. This work begins with a discussion of the affinity that modern-day African playwrights have for ancient Greek tragedy and the factors that determine their choice of classical texts and topics. The study concentrates on how African playwrights transplant the dramatic action and narrative of the Greek texts by rewriting both the performance codes and the cultural context. The methods by which African playwrights have adapted Greek tragedy and the ways in which the plays satisfy the prevailing principles of both cultures are examined. The plays are The Bacchae of Euripides by Wole Soyinka, Song of a Goat by J.P. Clark, The Gods Are Not to Blame by Ola Rotimi, Guy Butler's Demea, Efua Sutherland's Edufa, Orestes by Athol Fugard, The Song of Jacob Zulu by Tug Yourgrau, Femi Osofisan's Tegonni, Edward Kamau Brathwaite's Odale's Choice, The Island by Fugard, John Kani, and Winston Ntshona, and Sylvain Bemba's Black Wedding Candles for Blessed Antigone.
Africa and Urban Anthropology
This volume offers valuable anthropological insight into urban Africa, covering a range of cities across a continent that has become one of the fastest urbanizing geographic areas of the globe. Consideration is given to the structures, social formations, and rhythms that constitute the definition of an African city, town, or urban space, and to current concepts for thinking about African cities in the twenty-first century. The contributors examine topics including notions of belonging, the effects of globalization, colonialism, and transnationalism on African urban life, the cultural dimensions of infrastructure and public resources, mobility, labor issues, spatial organization, language, and popular culture trends, among other themes. The book reflects on how the ethnography of urban Africa fits within anthropology and urban studies, and on new theoretical concepts and methodologies that can be created through anthropological fieldwork in African cities. It will be of particular interest to scholars and students from anthropology, African studies and urban studies, as well as sociology and geography.
China in Twentieth- and Twenty-First-Century African Literature
China in Twentieth- and Twenty-First Century African Literature unpacks the long-standing complexity of exchanges between Africans and Chinese as far back as the Cold War and beyond. This scope encompasses how China, which emerged as a main engine of the world economy by the end of the twentieth century, has transformed patterns of globalization across the continent. In this ground-breaking work on cultural representations, Duncan M. Yoon examines the controversial symbol of China in African literature. He reads acclaimed authors like Kofi Awoonor, Henri Lopes, and Bessie Head, as well as contemporary writers, including Ufrieda Ho, Kwei Quartey, and Yvonne Adhiambo Owuor. Each chapter focuses on a genre such as poetry, detective fiction, memoir, and the novel, drawing out themes like resource extraction, diaspora, gender, and race. Yoon demonstrates how African creative voices grapple with and make meaning out of the possibilities and limitations of globalization in an increasingly multipolar world.
We Write What We Like
A celebration of Steve Biko's legacy of freedom Steve Biko, the founder of the Black Consciousness philosophy, was killed in prison on 12 September 1977. Biko was only thirty years old, but his ideas and political activities changed the course of South African history and helped hasten the end of apartheid. The year 2007 saw the thirtieth anniversary of Biko's death. To mark the occasion, the then Minister of Science and Technology, Dr Mosibudi Mangena, commissioned Chris van Wyk to compile an anthology of essays as a tribute to the great South African son. Among the contributors are Minister Mangena himself, ex-President Thabo Mbeki, writer Darryl Accone, journalists Lizeka Mda and Bokwe Mafuna, academics Jonathan Jansen, Mandla Seleoane and Saths Cooper, a friend of Biko's and former president of Azapo. We Write What We Like proudly echoes the title of Biko's seminal work, I Write What I Like. It is a gift to a new generation which enjoys freedom, from one that was there when this freedom was being fought for. And it celebrates the man whose legacy is the freedom to think and say and write what we like.
