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The first-ever collection of 50+ writings from the 20th-century critic who “redefined the possibilities of the literary essay”—including works not seen in print for decades (The New Yorker) Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here, she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction. She contemplates writers’ lives—women w...
With this appreciation of three very different black writers, novelist Darryl Pinckney reminds us that marginal or neglected literary figures have a lot to tell us about the history of a people who are always "outsiders." Born in Jamaica in 1883, J. A. Rogers was an early member of the Harlem Renaissance -- a newspaper columnist, historian of Negro achievement, polemicist against white supremacy, and amateur sociologist of interracial sex as evidenced in his massive three-volume work Sex and Race. Vincent O. Carter, who came of age in 1920's Kansas City, wrote The Bern Book, an exploration of being black in a Swiss rather than an American setting. Caryl Phillips, a son of the generation of black Caribbeans who returned to Great Britain after the Second World War, has explored the psychology of migration in fiction and nonfiction that include The Final Passage, Higher Ground, and The Nature of Blood. Pinckney's essays on these writers, drawn from his Alain Locke Lectures at Harvard University, give us a rich understanding of what it has meant to be "children of the diaspora" over the past century.
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists and quilters working throughout the southeastern United States and Alabama in particular. Their paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profoundly moving assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly sixty remarkable examples—originally collected by the Souls Grown Deep Foundation and donated to The Metropolitan Museum of Art—are illustrated alongside insightful texts that situate them in the history of modernism and the context of the African American experience in the twentieth-century South. This re...
Elizabeth Hardwick was one of America’s great postwar women of letters, celebrated as a novelist and as an essayist. Until now, however, her slim but remarkable achievement as a writer of short stories has remained largely hidden, with her work tucked away in the pages of the periodicals—such asPartisan Review, The New Yorker, and The New York Review of Books—in which it originally appeared. This first collection of Hardwick’s short fiction reveals her brilliance as a stylist and as an observer of contemporary life. A young woman returns from New York to her childhood Kentucky home and discovers the world of difference within her. A girl’s boyfriend is not quite good enough, his “silvery eyes, light and cool, revealing nothing except pure possibility, like a coin in hand.” A magazine editor’s life falls strangely to pieces after she loses both her husband and her job. Individual lives and the life of New York, the setting or backdrop for most of these stories, are strikingly and memorably depicted in Hardwick’s beautiful and razor-sharp prose.
In June 1969, police raided New York gay bar the Stonewall Inn. Pride charts the events of that night, the days and nights of rioting that followed, the ensuing organization of local members of the community, and the 50+ years since in which activists and ordinary people have dedicated their lives to reversing the global position. Pride documents the milestones in the fight for equality, from the victories of early activists, to the gradual acceptance of the LGBTQ+ community in politics, sports, and the media and the landmark court cases that helped to ban discrimination, permit marriage, and help in the fight for equality. This wide-reaching text covers key figures and notable moments, even...
Praised by both Richard Wright and Ralph Ellison, this classic of Black literature is a brutal depiction of the Great Migration from the Jim Crow South This brutally gripping novel about the African-American Great Migration follows the three Moss brothers, who flee the rural South to work in industries up North. Delivered by day into the searing inferno of the steel mills, by night they encounter a world of surreal devastation, crowded with dogfighters, whores, cripples, strikers, and scabs. Keenly sensitive to character, prophetic in its depiction of environmental degradation and globalized labor, Attaway's novel is an unprecedented confrontation with the realities of American life, offering an apocalyptic vision of the melting pot not as an icon of hope but as an instrument of destruction. Blood on the Forge was first published in 1941, when it attracted the admiring attention of Richard Wright and Ralph Ellison. It is an indispensable account of a major turning point in black history, as well as a triumph of individual style, charged with the concentrated power and poignance of the blues.
Meet Misha Vainberg, aka Snack Daddy, a 325-pound disaster of a human being, son of the 1,238th-richest man in Russia and proud holder of a degree in multicultural studies from Accidental College, USA. Misha is an American impounded in a Russian's body and the only place he feels at home is New York; he just wants to live in the South Bronx with his Latina girlfriend, but after his gangster father murders an Oklahoma businessman in Russia, all hopes of a US visa are lost. Salvation lies in the tiny oil-rich nation of Absurdistan (a fictional former Soviet republic), where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as minister of multicultural affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century.
Percival Everett's blistering satire about race and publishing, now adapted for the screen as the Academy Award-winning AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast su...
Our Town is the debut of a striking literary voice, one that captures the disillusion at the fringes of Hollywood as seen through a haze of drugs, alcohol, abuse, and fallen aspirations. An unseen narrator guides us through the dark fairy tale of Dorothy White, an aspiring actress who "never quite figured how to get out of her own way." Her perfect marriage to an equally golden actor, Dale, quickly turns into one of jealousy and violence. Dorothy ends the marriage yet begins a legacy of self–destruction for the failed couple, as well as their two children, Clover and Dylan. But we see the pathos in Dorothy's attempts to get back on track, to be a good woman, mother, and grandmother. Throug...