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This vast three-volume Encyclopedia offers more than 4000 entries on all aspects of the dynamic and exciting contemporary cultures of Latin America and the Caribbean. Its coverage is unparalleled with more than 40 regions discussed and a time-span of 1920 to the present day. "Culture" is broadly defined to include food, sport, religion, television, transport, alongside architecture, dance, film, literature, music and sculpture. The international team of contributors include many who are based in Latin America and the Caribbean making this the most essential, authoritative and authentic Encyclopedia for anyone studying Latin American and Caribbean studies. Key features include: * over 4000 entries ranging from extensive overview entries which provide context for general issues to shorter, factual or biographical pieces * articles followed by bibliographic references which offer a starting point for further research * extensive cross-referencing and thematic and regional contents lists direct users to relevant articles and help map a route through the entries * a comprehensive index provides further guidance.
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Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism. Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
The publication of this volume marks the Ten Year Anniversary of the Postcolonialism and Religions series. In intersectional and interdisciplinary perspectives, the chapters of this book constitute a complex whole: a volume that does justice to the justice-seeking origins of Latin American Liberation Theology, philosophy, and sociology as it emerged in the 1960s-70s and its development to the present. What drives this book is a common spirit and conviction: Liberation Theologies of the Global South remain relevant to the sociocultural and geopolitical contexts of today, which remain ensconced in the dynamics, exclusions, and resistances that gave rise to Liberation Theologies six decades ago. Today we may speak of interculturality, of borderlands, of in-betweenness, in ways that complicate, confirm, affirm, and interrogate the “underside of history”, and the spaces that are marginalized but de-centered centers of liberation struggle — within, alongside, underneath, over-against societal projects that claim and exclude them, and that represent some of the actual challenges and opportunities to liberation.
Includes deans and selected faculty at professor level by department or discipline.
Clippings of Latin American political, social and economic news from various English language newspapers.
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