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The 100 poems making up The Milk of Birds (the title comes from a chocolate candy the author's partner loved when she was a girl in Poland) began as a deliberate homage to Kenneth Rexroth's 100 Poems from the Chinese (1971). Soon into his progress, however, the author felt the writing beginning to pull away from the Rexroth model, becoming, instead, a series of short, sometimes plangent, sometimes meditative, sometimes exuberant takes on the beauty and travail of domestic life, on the separateness that is the enemy to love, on the witnessing of the night and the cold that lies at the heart of age and one's overview of all that life has meant.
"Often humorous, but always profound, Proximity presents 40 short stories by esteemed writer, painter and art critic, Gary Michael Dault. He has written frequently for Canadian Art and Border Crossings, and, for over a decade, contributed a weekend visual arts review column ('Gallery-Going') to The Globe & Mail." -- from http://www.impulse-b.com/product/proximity/ (viewed 21 April 2022).
When manufacturers and retailers vacate traditional locations, they leave holes in a city's fabric that signal a shifting urban-industrial terrain. Who should mend these spaces, and how should they approach the problem? Using Toronto's Dundas Square and surrounding area as a case study, this book meticulously reconstructs the redevelopment process to explore the theories and practices used. It traces the labyrinth of competing interests that can sideline and nearly overwhelm the public planning function. In these circumstances, Moore Milroy concludes that practising planners are marooned by planning theories that begin from the premise that urban space is a social construction and only secondarily a function of technology and aesthetics.
This work considers Joseph Heller's career and examines each of his novels, including Closing Time. It pursues two complementary tracks: first it explores the evolution of Heller's treatment of human morality; and second, it delineates Heller's artistic developments as a novelist.
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In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters ...