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Dave Sim
In 1977, Dave Sim (b. 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which ran for 300 issues and ended, as Sim had planned from early on, in 2004. Over the run of the comic, Sim used it as a springboard to explore not only the potential of the comics medium but also many of the core assumptions of Western society. Through it he analyzed politics, the dynamics of love, religion, and, most controversially, the influence of feminism—which Sim believes has had a negative impact on society. Moreover, Sim inserted himself squarely into the comic as Cerebus's creator, thereby inviting criticism not only of the creation, but also of the creator. ...
High Society
In the wealthy city-state of Iest, Cerebus the Aardvark finds himself being manipulated into the fast-paced world of business and politics, especially at the hands of the mysterious Astoria, who takes him under her wing for unclear reasons of her own.
Jaka's Story
Collects no. 114-136 of "Cerebus" comics, in which Cerebus, an amoral, anthropomorphic aardvark, meets up once again with his former love Jaka, a dancer in her landlord's tavern, and sets the stage for disaster when he becomes the houseguest of her and her husband, Rick.
The Strange Death of Alex Raymond
"The story traces the lives and techniques of Alex Raymond (Flash Gordon, RipKirby), Stan Drake (Juliet Jones), Hal Foster (Prince Valiant), and more, dissecting their techniques through recreations of their artwork,and highlighting the metatextual resonances that bind them together"--Page 4 of cove
Batman: Odyssey
Batman, on the verge of killing a man for the first time, embarks on a journey of self-discovery that may also reveal secrets about his enemies and allies.
Church and State
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Spawn #10
When Spawn tries to examine Angela's abandoned lance, it transports him into a realm beyond his wildest imaginings. While in this strange world, Spawn encounters imprisoned heroes, faces a mockery of Blind Justice in the form of the Violator, and glimpses a dreamlike scenario of happiness for him, Wanda and Cyan.
Judenhass
I decided some time ago that the term anti-Semitism (a 'coined' term of late nineteenth century origin) is completely inadequate to the abhorrent cultural phenomenon which it attempts to describe. For one thing, Arabs are Semites as well and the prejudice as it generally understood certainly doesn't apply equally to Arabs and Jews. It was in the early stages of researching this graphic narrative that I first encountered the German term Judenhass. Literally, Jew-Hatred. It seemed to me that the term served to distill the ancient problem to its essence, and in such a way as to hopefully allow other non-Jews (like myself) to see the problem 'unlaundered' and through fresh eyes. Europe and various other jurisdictions aren't experiencing a sudden upsurge in 'anti-Semitism'. What they are experiencing is an upsurge in Judenhass -- Jew-Hatred. So that's what I've chosen to call this story. - Dave Sim, Writer/Artist/Publisher
Melmoth
A graphic novel from the author of "Cerebus" that offers a fictionalized account of the last days of Oscar Wilde.
Cerebus the Barbarian Messiah
In December 1977, struggling Canadian comic book artist Dave Sim self-published the first issue of Cerebus the Aardvark, a Conan the Barbarian satire featuring a foul-tempered, sword-wielding creature trapped in a human world. Over the next 26 years, Sim, and later collaborator Gerhard, produced an epic 6,000-page graphic novel, the longest-running English language comic series by a single creative team. They revolutionized the comics medium by showing other artists that they too could forgo major publishers, paving the way for such successes as Teenage Mutant Ninja Turtles and Bone. This work, the first collection of critical essays on Cerebus, provides a multifaceted approach to Sim and Gerhard's complex and entertaining oeuvre, including their innovative use of the comic medium, storytelling and satiric techniques, technical and visual sophistication, and Sim's use of the comic as commentary on gender and religion.
