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Finally, a short and easy-to-follow book that gives practitioners of acupuncture and Chinese medicine all the information they need to notice, understand, and refer their patients correctly when facing potentially dangerous signs and symptoms. * Introductory material gives you an outline of how to actually do a correct patient referral and how to follow up for your own and your patient's medical and legal protection. * In just 220 pages Dr. Anzaldua presents all the most common red flag signs and symptoms that we may see in an acupuncture clinic. He also tells us what level of referral may be necessary for each red flag case. * Every red flag has a real life case study, helping readers to understand the process of identifying red flag cases and making correct referrals. * The easy-to-follow design and thorough index lets you find what you are looking for quickly. * Questions at the end of every chapter allow students and life-long learners to review what you have learned as you go. This book belongs on every practitioner's shelf . . . it could save somebody's life!
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When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.
'Irresistible . . . My aviation title of the year' Rowland White 'Stupendously brilliant . . . Completely addictive' James Holland 'The most explosive book about aircraft ever' Jim Moir, aka Vic Reeves From the terror and exhilaration of First World War dogfighting to the dark arts of modern air combat, here is an enthralling ode to that most brutally exciting of machines: the warplane. The Hush-Kit Book of Warplanes is a beautifully designed, highly illustrated collection of the very best articles from Hush-Kit – the world’s leading alternative aviation online magazine – combined with a heavy punch of new and exclusive pieces. It contains a wealth of brilliant material, from Top 10 li...
Interviews with major Chicana/o authors are the basis for this examination of the commonality of issues in the work of each of them.
"Writing anything definitive about the queer American novel will always be unsatisfying, if not impossible. Unsatisfying, because the romances they contain are uncertain and, quite often, doomed: heartbreak, violence, and persecution pepper nearly every page. Impossible, because the genre's terrain is as vast and uncertain as America itself: the spaces, the characters, plots, ideas, and dynamics - too varied. The minute you say one thing, you could say another. And perhaps that might be the point. As one character from Djuna Barnes's lesbian novel Nightwood puts it, "With an American anything can be done.'"1 We could say the same about the queer American novel. If there is anything consisten...