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In this first English-language study of popular and scientific responses to tuberculosis in nineteenth-century France, David Barnes provides a much-needed historical perspective on a disease that is making an alarming comeback in the United States and Europe. Barnes argues that French perceptions of the disease—ranging from the early romantic image of a consumptive woman to the later view of a scourge spread by the poor—owed more to the power structures of nineteenth-century society than to medical science. By 1900, the war against tuberculosis had become a war against the dirty habits of the working class. Lucid and original, Barnes's study broadens our understanding of how and why societies assign moral meanings to deadly diseases.
Ultimately, the attitudes of physicians and the French public were shaped by political struggles between republicans and the clergy, by aggressive efforts to educate and civilizethe peasantry, and by long-term shifts in the public's ability to tolerate the odor of bodily substances.--Donald Reid, University of North Carolina at Chapel Hill "American Historical Review"
Taking a systems perspective, this book enables the student to make sense of business behaviour by demonstrating how interrelated business processes determine the success of an organisation.
David Barnes is an American-born artist and performer who is best known for his work as the cover artist/art director for the band of Montreal. Over the past decade, Barnes has developed a cult following. Barnes' visual interpretations of the group's music has been manifested in the form of iconic album covers and theatrical live performances that feature skits along with elaborate stage sets and props. What's Weird? is the first collection of his work to appear in book format. After 20 years and countless paintings, the idea manifested itself for Barnes to curate his first book. In his true DIY style, David personally poured over hundreds of drawings and paintings spanning his career. He pi...
This fascinating new core textbook, authored by a highly respected academic with over a decade of industry experience, takes a global and strategic approach to the important topic of operations management (OM). Integrating contemporary and traditional theories the text covers everything a student needs to understand the reality of operations in the modern world and combines the latest cutting-edge thinking with innovative learning features. Written in a concise and engaging style and based on up-to-date research in the field, the book provides a range of international case studies and examples that help students to apply theoretical knowledge to real-world practice. This is a must-have textbook for students studying operations management modules on undergraduate, postgraduate and MBA programmes. In addition, this is an ideal textbook to accompany modules on operations strategy, production management and services management. Accompanying online resources for this title can be found at bloomsburyonlineresources.com/operations-management. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.
This accessible text presents a detailed introduction to the use of a wide range of software tools and modeling environments for use in the biosciences, as well as the fundamental mathematical background. The practical constraints presented by each modeling technique are described in detail, enabling the researcher to determine which software package would be most useful for a particular problem. Features: introduces a basic array of techniques to formulate models of biological systems, and to solve them; discusses agent-based models, stochastic modeling techniques, differential equations, spatial simulations, and Gillespie’s stochastic simulation algorithm; provides exercises; describes such useful tools as the Maxima algebra system, the PRISM model checker, and the modeling environments Repast Simphony and Smoldyn; contains appendices on rules of differentiation and integration, Maxima and PRISM notation, and some additional mathematical concepts; offers supplementary material at an associated website.
In 1835, immigrants began to arrive from New York and New England to the area first called Pennyville, later renamed Brickton to reflect its leading industry, then finally incorporated as the Village of Park Ridge in 1873. The name originates from the village's park-like setting and an erroneous belief that the ridge at Johnston's Circle--today the three-way intersection of Touhy, Prospect, and Northwest Highway--was the highest point in Cook County. Notable names associated with Park Ridge include Secretary of State Hillary Clinton and actor Harrison Ford, who both attended Maine East High School; Chicago Cubs great Ron Santo, who operated a popular pizzeria in town; and painter Grant Wood, whose American Gothic is one of the 20th century's great works of Americana. Anchored by the landmark Pickwick Theater, a fine example of art deco architecture built in 1928, downtown Park Ridge has changed much over the years, a transformation captured so well in the pages of this book.
The beginning graduate student in homotopy theory is confronted with a vast literature on spectra that is scattered across books, articles and decades. There is much folklore but very few easy entry points. This comprehensive introduction to stable homotopy theory changes that. It presents the foundations of the subject together in one place for the first time, from the motivating phenomena to the modern theory, at a level suitable for those with only a first course in algebraic topology. Starting from stable homotopy groups and (co)homology theories, the authors study the most important categories of spectra and the stable homotopy category, before moving on to computational aspects and more advanced topics such as monoidal structures, localisations and chromatic homotopy theory. The appendix containing essential facts on model categories, the numerous examples and the suggestions for further reading make this a friendly introduction to an often daunting subject.
This book explores the ethical implications of using armed contractors, taking a consequentialist approach to this multidisciplinary debate. While privatization is not a new concept for the US military, the public debate on military privatization is limited to legal, financial, and pragmatic concerns. A critical assessment of the ethical dimensions of military privatization in general is missing. More specifically, in light of the increased reliance upon armed contractors, it must be asked whether it is morally permissible for governments to employ them at all. To this end, this book explores four areas that highlight the ethical implications of using armed contractors: how armed contractors...
The stunning variety of writing in this anthology addresses the city of Paris in all its complexity, while challenging the mythology of expatriate Parisian literature. Strangers in Paris contains entries as diverse and disparate as an excerpt from John Berger's novel, Here is Where We Meet; Antonia Alexandra Klimenko's take on a Van Gogh painting; a tongue-in-cheek take on the nineteenth-century novel by Helen Cusack O'Keeffe; a trio of poems by Jorie Graham; Canadian writer Lisa Pasold's story of a forced extended stay in Paris; and an interview with the celebrated American poet Alice Notley. More than anything, this volume is a landmark, a notice that begs and entices readers to explore the current English-language authorship developing in and about Paris.