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In the mid-seventeenth century, Wilno (Vilnius), the second capital of the Polish-Lithuanian Commonwealth, was home to Poles, Lithuanians, Germans, Ruthenians, Jews, and Tatars, who worshiped in Catholic, Uniate, Orthodox, Calvinist, and Lutheran churches, one synagogue, and one mosque. Visitors regularly commented on the relatively peaceful coexistence of this bewildering array of peoples, languages, and faiths. In Kith, Kin, and Neighbors, David Frick shows how Wilno's inhabitants navigated and negotiated these differences in their public and private lives. This remarkable book opens with a walk through the streets of Wilno, offering a look over the royal quartermaster's shoulder as he mad...
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In the sixteenth century, the Christian church and Christian worship fragmented into a multiplicity of confessions that has grown to the present day. The essays in this volume demonstrate that multiconfessionalism, understood as the legally recognized and politically supported coexistence of two or more confessions in a single polity, was the rule rather than the exception for most of early modern Europe. The contributors examine its causes and effects. They demonstrate that local religious groups across the continent could cooperate with confessional opponents and oppose political authorities to make decisions about their religious lives, depending on local conditions and contingencies. In so doing, this volume offers a new vision of religion, state, and society in early modern Europe. Contributors include: Bernard Capp, John R. D. Coffey, Jérémie Foa, David Frick, Raymond Gillespie, Benjamin Kaplan, Howard Louthan, David Luebke, Keith Luria, Guido Marnef, Graeme Murdock, Richard Ninness, Penny Roberts, Jesse Spohnholz, Peter Wallace, Lee Palmer Wandel.
In the last days of the post-Stalinist thaw in 1963 Poland, Jerzyk becomes involved with an assassination plot arranged by his father, uncle, and their friend Mr. Traba in an attempt to take back their lives.
The ten short stories straddle the line between intimate revelation and drunken confession. The tales within reveal a nostalgic and poetic author, one who can pen a character's lyrical ode to the fate of his father's perfect chess table in one story and examine a teacher's desperate and dangerous infatuation with a student in the next. There is also a remarkably touching story that begins by describing his narrator's excitement at the possibility of a three-way with a seductive football fan named Anka Chow Chow. Irony, humour, gossip and love with an irresistible readability.
Meletij Smotryc'kyj was one of the outstanding figures in the great flourishing of Orthodox spirituality that occurred in the late sixteenth and early seventeenth century in response to the challenge posed first by Polish heterodox religious movements, and later by the Polish Counter-Reformation. His biography reflects the tensions and contradictions that characterized his "nation"--the Ruthenians, the Orthodox Christians of the Polish-Lithuanian Commonwealth. Ruthenian patriots were torn between various allegiances to nation, church, and traditions. Thus, in Smotryc'kyj's life we witness one of the later acts in the drama of the European Age of Reform, all the more important because for the...
When civilizations first encounter each other a cascade of change is triggered that both challenges and reinforces the identities of all parties. Making Contact revisits key encounters between cultures in the medieval and early modern world. Contributors cross disciplinary boundaries to explore the implications of contact. Scott D. Westrem examines the imagined Africa depicted in the Bell Mappamundi. Day-to-day accommodations between the religious identities of Vilnius, in the Polish-Lithuanian Commonwealth, are explored by David Frick. Steven F. Kruger argues that medieval Christian identity was destabilized by the living Talmudic tradition. Individual Jesuits who were critical to the succe...
Gabriel de Saint-Aubin, born in 1724, never left his native Paris. He studied at the prestigious Royal Academy but failed to win the coveted Prix de Rome. He is often said to have reacted to this disappointment by throwing aside all hopes of a traditional artistic career and hastening out into the thoroughfares of Paris to sketch everything in sight, living an errant, bohemian existence and succumbing increasingly to an obsession with drawing. But despite his personal eccentricities he was employed as an illustrator all his life.
The iconic drummer of The Doors investigates his own relationship with creativity and explores the meaning of artistry with other artists and performers in this compelling and spellbinding memoir. Whether it's the curiosity that blossoms after we listen to our favorite band's newest record, or the sheer admiration we feel after watching a knockout performance, many of us have experienced art so pure-so innovative-that we can't help but wonder afterwards: "How did they do that?" And yet, few of us are in a position to be able to ask those memorable legends where their inspiration comes from and how they translated it into something fresh and new. Fortunately for us, this book is here to offer...
Nearly 300 letters reveal Chopin as both man and artist and illuminate his fascinating world — Europe of the 1830s and 1840s. "Delightful gossip . . . merry rather than malicious . . . engagingly witty." — Books. Preface. Index.