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This is a study of children's masquerades in Africa, describing specific cases of young children's masking in the areas of west, central, and southern Africa. The children are seen as active agents in their own culture rather than passive recipients of culture as taught by parents and other elders.
Kakaamotobe, meaning to scare, is known across southern Ghana, West Africa, as Fancy Dress performance. Masqueraders dress in colorful costumes and wear fancy and fierce masks; they dance energetically to drums or brass band music through the main streets of town during holidays, especially during Christmastime. Competitions held in two towns are intense annual events. This lively secular masquerade is a carnival form that has been practiced for well over a century primarily by coastal Fante people, and many additional ethnicities participate today. Kakaamotobe: Fancy Dress Carnival in Ghana explores the fascinating history, aesthetics, performance, and underlying messages of this masquerade...
Cloth and Human Experience explores a wide variety of cultures and eras, discussing production and trade, economics, and symbolic and spiritual associations.
"This book explores how cities around the world consume energy, assesses innovative ideas for reducing urban energy consumption, and discusses why energy efficiency will determine which cities thrive economically in the future"--Provided by publisher.
In 1952, a young Belgian scholar of European medieval history traveled to the Belgian Congo (now Zaire) to live in a remote Kuba village. Armed with a smattering of training in African cultures and language, Jan Vansina was sent to do fieldwork for a Belgian cultural agency. As it turned out, he would help found the field of African history, with a handful of other European and African scholars. "I'm not an ethnologist, I'm a historian!" Vansina was to repeat again and again to those who assumed that people without written texts have no history. His discovery that he could analyze Kuba oral tradition using the same methods he had learned for interpreting medieval dirges was a historiographic...
Reprint of the original, first published in 1883.