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A Grand Materialism in the New Art from China
In A Grand Materialism in the New Art from China, Mary Bittner Wiseman shows that material matters in the work of Chinese artists, where the goal is to call attention to its subjects through the directness and immediacy of its material (like dust from 9/11, 1001 Chinese citizens, paintings made with gunpowder, written words) or the specificity of its sites (such as the Three Gorges Dam). Artists are working below the level of language where matter and gesture, texture and touch, instinct and intuition live. Not reduced to the words applied to them, art's subjects appear in their concrete particularity, embedded in the stories of their materials or their sites. Wiseman argues that it is global in being able to be understood by all thanks to its materials and the stories that accompany it, and the art is contemporary in having to make the case for itself that it is art. Finally, it satisfies Arthur Danto’s characterization of art as any representation that puts its subject in a new light by way of a rhetorical figure that the viewer interprets. The material art from China is the paradigm for an art that is global and contemporary.
China's Art Market since 1978
This book examines the rising global prominence of China’s art market throughout the twentieth and twenty-first centuries. To understand the far-reaching impact of Chinese art on global consumption, this book traces the shift from regional markets to global markets. It asks how the Chinese art market re-emerged from its politicized past, innovated within the private economy boom, remained resilient despite the global financial crisis, and flourished on the global stage despite the COVID-19 pandemic. Ultimately, it argues that cultural entrepreneurship enabled Chinese art professionals to reinvent their space and to participate in the global artworld.
Bazin at Work
Bazin's impact on film art, as theorist and critic, is considered to be greater than that of any single director, actor, or producer. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Bazin at Work is the first English collection of disparate Bazin writings since the appearance of the second volume of What Is Cinema? in 1971. It includes work from Cahiers le cinema (which he founded and which is the most influential single critical periodical in the history of the cinema) and Esprit. He addresses filmmakers including Rossellini, Eisenstein, Pagnol, and Capra and well-known films including La Strada, Citizen Kane, Scarface, and The Bridge on the River Kwai.
The Lancaster Bar
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Ethnicity Without Groups
"Despite a quarter-century of constructivist theorizing in the social sciences and humanities, ethnic groups continue to be conceived as entities and cast as actors. Journalists, policymakers, and researchers routinely frame accounts of ethnic, racial, and national conflict as the struggles of internally homogeneous, externally bounded ethnic groups, races, and nations. In doing so, they unwittingly adopt the language of participants in such struggles, and contribute to the reification of ethnic groups. In this timely and provocative volume, Rogers BrubakerÑwell known for his work on immigration, citizenship, and nationalismÑchallenges this pervasive and commonsense Ògroupism.Ó But he do...
Grounds for Difference
Offering fresh perspectives on perennial questions of ethnicity, race, nationalism, and religion, Rogers Brubaker makes manifest the forces that shape the politics of diversity and multiculturalism today. In a lucid and wide-ranging analysis, he contends that three recent developments have altered the stakes and the contours of the politics of difference: the return of inequality as a central public concern, the return of biology as an asserted basis of racial and ethnic difference, and the return of religion as a key terrain of public contestation. “Grounds for Difference is a subtle, original, and comprehensive book. All the hallmarks of Brubaker’s earlier work, such as the conceptual clarity, the theoretical rigor—grounded in a well-researched and well-informed analysis—the crisp writing style, and the impeccable sociological reasoning are displayed here. There is a wealth of original ideas developed in this book that requires much careful reading and unpacking.” —Sinisa Malešević, H-Net Reviews “This is an imposing collection that will be another milestone in the literature of ethnicity and nationalism.” —Christian Joppke, University of Bern
