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Mark Rothko
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
Abstract Expressionism and Other Modern Works
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
Abstract Expressionism
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. The last major collective Abstract Expressionism exhibition to have taken place in the UK occurred in 1959. This important publication, and the exhibition it accompanies, seek to redress the balance and re-evaluate the movement, recognising its complex and fluid reality, ...
Dorothea Rockburne
From this early minimalist vocabulary, Rockburne has expanded the discourse to include investigations of, among other themes, the Golden Section, the solar system, and the writings of Pascal, all seamlessly joined in an ongoing synthesis of rigorous intellect and ardent pursuit. This first career retrospective will be accompanied by a 160-page catalogue with 52 full-color illustrations, published by the Museum and distributed by ARTBOOK --
Clyfford Still
An exclusive look at the late work of one of the most influential and enigmatic painters, whose late-career paintings are virtually unknown to the public and many are published here for the first time. Clyfford Still (1904-1980) is a pioneer of Abstract Expressionism, along with Mark Rothko, Jackson Pollock, Lee Krasner, and Willem de Kooning. This revelatory book, accompanying a groundbreaking exhibition, investigates Clyfford Still's late work, both in painting and in drawing, made after his move to rural Maryland in 1961. This marks a particularly fertile period for Still; he made over 375 works on canvas and a staggering 1,100 works on paper in Maryland before his death in 1980 at the age of 75. Given Still's especially reclusive posture later in life and the fact that none of the artworks in Still's estate were exhibited or made available to anyone before the opening of the Clyfford Still Museum in 2011, a full-scale presentation of these forty paintings and thirty works on paper is especially meaningful. In addition to essays by Dean Sobel and David Anfam, the artists Alex Katz and Dorothea Rockburne contribute texts on the notion of "late work."
Mark Rothko
The first publication dedicated exclusively to Mark Rothko’s art during the critical formative period of the 1940s. Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time. During this period, Rothko moved from expressive figurative and surrealist canvases to more abstract multiform subjects and finally to his signature abstractions—luminous rectangles of color suspended in space. Richly illustrated with works by Rothko and his contemporaries, introduction by Todd Herman and essays by prominent Rothko scholars, this important new book deepens our understanding of Rothko’s art during this vital period, and that of the mature works that emerged from it.
Abstract Expressionism
Published on the occasion of the artist's first exhibition with Haunch of Venison, Universal Recipient presents Jitish Kallat's engagement with the city of his birth, Mumbai. Interested in using language of the downtrodden, he appropriates the graffiti, peeling paint and broken glass of the city into the language of his work, addressing both the health of the nation and Mumbai's identity as an ever expanding megalopolis. Caste tensions, city planning, government ineptitude and social change are all part of the fabric Kallat weaves in his distinctive and Pop-inspired graphic style.
Clyfford Still
"The contributors to this volume explore various aspects of Still's art, his accomplishments, and the New York School. David Anfam presents an overview of Still's career from the 1930s through the 1950s. Neal Benezra focuses on a provocative, unexplored element of Still's studio practice: his habit of painting replicas of many of his own works. Brooks Adams examines Still's artistic legacy and influence on succeeding generations of artists."--BOOK JACKET.
Franz Kline (1910-1962)
Emotion with direct and raw energy.
Anish Kapoor
This new retrospective monograph, produced in direct collaboration with internationally renowned contemporary artist Anish Kapoor, is the most comprehensive to date. Anish Kapoor, one of the most highly acclaimed sculptors working today, is winner of the 1991 Turner Prize and creator of Monumenta 2011. Kapoor enjoys immense popularity and has represented Britain at both the Paris Biennale and the Venice Biennale. His first solo exhibition in Paris in 1980 was been followed by numerous solo exhibitions in major venues around the world, including Sky Mirror installed at Rockefeller Center in New York in 2006. He is the fourth artist to be invited to the Grand Palais in Paris to create a unique and original work for the immense interior space. At once metaphysical, profoundly poetic, and visually explosive, Kapoor's work demands a visceral as well as meditative response. Full color reproductions spanning more than three decades of artistic output are accompanied by an incisive interview with the artist, while Kapoor's work is situated and explored in a critical essay by a leading Harvard scholar.
