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The twenty-five interviews gathered here, several available in English for the first time, include craft interviews, biographical portraits, self-analyses, & wide-ranging reflections on the current literary scene.
Elucidates the unique voice of a Pulitzer Prize-winning poet.
A celebration of the legacy of the Village Voice bookshop in Paris, founded by Odile Hellier in 1982—a hub of social life and a refuge for artists, writers, and anglophone literary life for over three decades until it closed in 2012. “My entire sense of Paris centers on Odile and the bookshop.” —Richard Ford "For literature lovers, it’s a feast." —Publishers Weekly In July of 1982, on a quiet boulevard just off the bustling Boulevard Saint-German, Odile Hellier opened the Village Voice Bookshop. Over the next three decades, the blue-shuttered shop would become one of the most famous English-language bookstores in Paris—a vivacious hub for artists, writers, and a haven for an...
This book traces a literary and cultural history of interviews from the 1860s to today; it reveals the ways in which writers have been interview subjects, interviewers and have used interviews creatively in their fiction and non-fiction.
Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper Paris-Soir. Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American dream factory captivated millions. These articles were later published as Hollywood: Mecca of the Movies, which has since appeared in many languages. Remarkably, this is its first translation into English. Hollywood in 1936 was crowded with stars, moguls, directors, scouts, and script girls. Though no stranger to filmmaking (he had worked with director Abel Gance), Cendrars was spurned by the industry greats with whom he sought to hobnob. His response ...
This book provides, for the first time, a profound insight into Peter Downsbrough's diverse and complex use of photography within his artistic work over the last 40 years.
Raymond Carver's fiction is widely known for its careful documentation of lower-middle-class North America in the 1970s and 80s. Building upon the realist understanding of Carver's work, Raymond Carver's Chronotope uses a central concept of Bakhtin's novelistics to formulate a new context for understanding the celebrated author's minimalist fiction. G. P. Lainsbury describes the critical reception of Carver's work and stakes out his own intellectual and imaginative territory by arguing that Carver's fiction can be understood as diffuse, fragmentary, and randomly ordered. Offering a fresh analysis of Carver's body of work, this book offers an extensive meditation on this major figure in postmodern U.S. fiction.