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Neue Horizonte
German language.
Neue Horizonte
None
Men Without Mercy
"A widow moves to Berlin and tries to make ends meet with her three children. After a failed attempt to commit suicide, her newly awakened ambition focuses on the career of the eldest son. And the son actually succeeds in social advancement."--Goodreads
The End of Craving
The international bestseller from award-winning writer Mark Schatzker that reveals how our dysfunctional relationship with food began—and how science is leading us back to healthier living and eating. For the last fifty years, we have been fighting a losing war on food. We have cut fat, reduced carbs, eliminated sugar, and attempted every conceivable diet only to find that eighty-eight million American adults are prediabetic, more than a hundred million have high blood pressure, and nearly half now qualify as obese. The harder we try to control what we eat, the unhealthier we become. Why? Mark Schatzker has spent his career traveling the world in search of the answer. Now, in The End of Cr...
The Writer's Journey
The Writer's Journey invites you to follow in the footsteps of some of the world’s most famous authors on the travels that inspired their greatest works.
Dancing with the Modernist City
As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke, August Endell, Alfred Döblin, Else Lasker-Schüler, Segundo de Chomón, and the brothers Max and Emil Skladanowsky. In their writing and artistic work from that period, they depicted the perpetual influx of stimuli caused by urban life—including hordes of pedestrians, bustling traffic, and a barrage of advertisements—as well as how these encounters repeatedly paralleled their experiences of...
Why the Church?
Why did Christianity produce the special organizational form "church" in the first place? Is it possible to be a Christian without the church? To what extent is Christian faith in community with other believers an alternative to the mere self-optimization of individuals? In this accessible and questioning new work, Hans Joas traverses theological, church-historical, sociological, and ethical territory in search of a viable conception of the church adequate to contemporary globalized societies. Across eleven essays that draw on work by Ernst Troeltsch, Max Weber, Emile Durkheim, H. Richard Niebuhr, Leszek Kolakowski and others, Joas reflects on key debates—from the failure of so-called secu...
Unlearning with Hannah Arendt
After observing the trial of Adolf Eichmann in Jerusalem, Hannah Arendt formulated her controversial concept of the 'banality of evil' and asked the question: how can seemingly normal people carry out genocidal acts? She found her answer by focusing on the machinery of Nazi genocide and the organizational capacity of the victims: the Jewish Councils drawing up lists for deportation. The latter proved hugely controversial when the book was first published in serial form in the New Yorker. Anchoring its discussion in the themes of laughter, translation, forgiveness, and dramatization, this book explores how the iconic political theorist 'unlearned' trends and patterns to establish her own theoretical praxis.
Literature as Document
Literature as Document considers the relationship between documents and literary texts in Western Literature of the 1930s. More specifically, the volume deals with the notion of the “document” and its multifaceted and complex connections to literary “texts” and attempts to provide answers to the problematic nature of that relationship. In an effort to determine a possible theoretical definition, many different disciplines have been taken into account, as well as individual case studies. In order to observe dynamics and trends, the idea for this investigation was to look at literature, taking its practices, its factual-looking and concrete applications, as a point of departure – that is to say, then, starting from the literary object itself.
