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For two decades photojournalist David Bacon has documented the connections between labor, migration, and the global economy. In Illegal People Bacon exposes the many ways globalization uproots people in Latin America and Asia, driving them to migrate. At the same time, U.S. immigration policy makes the labor of those displaced people a crime in the United States. Bacon makes his case through interviews and on-the-spot reporting both from impoverished communities abroad and from immigrant workplaces and neighborhoods here. He analyzes NAFTA's corporate tilt as a cause of displacement and migration from Mexico and shows that criminalizing immigrant labor also benefits employers. He argues that immigration and trade policy are elements of a single economic system. Bacon traces the development of illegal status back to slavery and shows the human cost of treating the indispensable labor of millions of migrants--and the migrants themselves--as illegal. Illegal People argues for a sea change in the way we think, debate, and legislate around issues of migration and globalization, promoting a human rights perspective throughout a globalized world.
This is a journalistic chronicle of contemporary labor wars and organizing on the United States/Mexican border. Based on gripping firsthand reports, this book investigates the impact of the North American Free Trade Agreement on those who labor in the agricultural fields and maquiladora factories on the border.
David Lindberg presents the first critical edition of the text of Roger Bacon's classic work Perspectiva, prepared from Latin manuscripts, accompanied by a facing-page English translation, critical notes, and a full study of the text. Also included is an analysis of Bacon's sources, influence, and role in the emergence of the discipline of perspectiva.
This book with its subsequent revised and augmented editions--has been considered a classic of its kind, and that reputation has become worldwide. As a discussion of problems of making art today it has been widely influential not only among artist but among writers and musicians. It has also been seen as the most revealing portrait that exists of one of the most singular artistic personalities of our times.
A unique portrait of one of the creative geniuses of the 20th century, by the distinguished critic David Sylvester. Controversial in both life and art, Francis Bacon was one of the most important painters of the 20th century. His monumental, unsettling images have an extraordinary power to disturb, shock and haunt the spectator, 'to unlock the valves of feeling and therefore return the onlooker to life more violently'. Drawing on his personal knowledge of Bacon's inspirations, intentions and working methods, David Sylvester surveys the development of the work from 1933 to the early 1990s, and discusses critically a number of its crucial aspects. He also reproduces previously unpublished extracts from his celebrated conversations with Bacon in which the artist speaks about himself, modern painters and the art of the past. Finally, Sylvester gives a brief account of Bacon's life, correcting certain errors that elsewhere have been presented as facts. Divided into the sections 'Review', 'Reflections', 'Fragments of Talk' and 'Biographical Note', Looking Back at Francis Bacon is a unique portrait of one of the creative geniuses of our age by a writer of comparable distinction.
In Perishing Heathens Julius H. Rubin tells the stories of missionary men and women who between 1800 and 1830 responded to the call to save Native peoples through missions, especially the Osages in the Arkansas Territory, Cherokees in Tennessee and Georgia, and Ojibwe peoples in the Michigan Territory. Rubin also recounts the lives of Native converts, many of whom were from mixed-blood métis families and were attracted to the benefits of education, literacy, and conversion. During the Second Great Awakening, Protestant denominations embraced a complex set of values, ideas, and institutions known as "the missionary spirit." These missionaries fervently believed they would build the kingdom o...
Jointly published by the Hayward Gallery and the University of California Press on the occasion of the exhibition "Francis Bacon: the human body " organized by the Hayward Gallery, London, 5 February-5 April, 1998.
Published to accompany exhibition held at the Tate Gallery, London, 15/2 - 2/5 1999.