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Beethoven
Beethoven's Ninth Symphony, a masterpiece that has influenced virtually every Western composer since its premiere, has become associated with the marking of momentous public occasions. In 1989, Chinese students played its finale through loudspeakers in Tiananmen Square, and Leonard Bernstein led a performance in Berlin to celebrate the razing of the Berlin Wall. This lively and up-to-date book focuses on Beethoven's Ninth, exploring the cultural and musical meanings that surround this powerful work of genius. David B. Levy sets the scene with a brief survey of nineteenth-century Germanic culture and society, then analyzes the Ninth symphony in detail with special emphasis on the famous choral finale. He discusses the initial performances in 1824 under Beethoven's direction and traces the symphony's critical reception and legacy. In the final chapter of the book, Levy examines interpretations of the work by prominent conductors, including Wagner, Mahler, and Weingartner. A fully annotated discography of selected recordings completes this comprehensive volume.
The City Record
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David Franks
David Franks, a colonial businessman in Philadelphia, was one of the most important figures in American Jewish history in the eighteenth century. This extensively researched biography illuminates not only Franks's personal dealings, but also his business life. Franks was involved with Indian trade, ship design and building, manufacturing, international trade, land speculation, westward exploration, and military provisioning. This volume follows Franks from his beginnings in a prominent Jewish family to his trials for treason and his exile in the postrevolutionary period, offering a unique portrait of a forgotten American.
We'll Meet Again
We'll Meet Again illuminates music's central role in the design and reception of Stanley Kubrick's films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick's working process.
The Cambridge Companion to the Symphony
A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.
Genetic Criticism and the Creative Process
Studies of the genesis of musical, literary, and theatrical works.
Terror and Toleration
"From the fourteenth to the eighteenth centuries the armies of the Ottoman empire brought terror, in the name of Islam, to much of the Christian world. Intermittently, but relentlessly, the Sultans' forces raided, then conquered the Danube Valley as far as Budapest and beyond. Their inexorable progress westward eventually brought them into conflict with the dynastic confederation created in central and eastern Europe by the Austrian Habsburgs. Repeatedly faced with virtual annihilation by superior Muslim forces, the ruling powers in Vienna fought to mobilise the minds as well as the military resources of their subjects in order to save both their faith and their soil. The propaganda develope...
Shield of David
Jews first arrived in the New World in 1654, seeking religious freedom. Since the beginning of American nationhood, Jewish volunteers and conscripts fought in the Revolutionary War, the War of 1812, on both sides of the Civil War, the Spanish-American War, in both World Wars, and in the Korean, Vietnam, Iraq and Afghanistan wars. Over the years, the American military learned to integrate its Jewish servicemen and women by providing Jewish military chaplains, kosher food, religious services, and placing the Star of David on the graves of fallen Jewish soldiers. The end of conscription and the establishment of the All-Volunteer Force in 1973 offered other paths to serve our country. American Jews have contributed with distinction in the arts and sciences, academia, entertainment, government, and in building the economy. For Jews, America is the Goldene Medina—the Golden Country.
Beethoven Forum
The essays in this volume grew out of an international Beethoven conference held in honor of Lewis Lockwood at Harvard University in 1996. Michelle Fillion?s opening essay explores the Mass in C and its turn away from the ?heroic? style of the ?middle-period? works. In ?Beethoven and the Aesthetic State,? Karol Berger reflects on the manner in which the composer?s music often shifts back and forth between a ?real? and an ?imagined? world. William Drabkin examines the role of the cello part in Beethoven's late quartets, particularly in regard to the elusive parameter of texture. Richard Kramer?s reading of the song Resignation (1818) opens new perspectives on the idea of a ?late? style in the...
