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Architecture, art, art history and city politics come together in this lively account of the evolution of the building that houses the Philadelphia Museum of Art. Archival photographs and excellent new color photos are coupled with the text to document this historic structure.The story starts with the decades of planning and construction preceding the its 1928 opening. Closure is reached with renovations and reinstallation projects of the 1990s.
Friedrich Weinbrenner was the first internationally important German architect of the nineteenth century. His planning for the city of Karlsruhe—and his design of every imaginable type of structure, including palaces, churches, synagogue, government buildings, city gates, shops, fountains, theaters, armories, cemetery buildings and farms—is a remarkable achievement. This collection includes treatment of Weinbrenner's contributions to agricultural architecture. Based on new rationalist models that were greatly influenced by the scientific movement in the mideighteenth century.
This is the first book devoted exclusively to Street and his greatest work, the Royal Law Courts in the Strand. George Edmund Street (1824-1881) was a leader of the High Victorian generation of British architects. A prolific and innovative artist, he also played an important role in the reshaping of architectural taste that occurred in England at mid century. This is the first book devoted exclusively to Street and his greatest work, the Royal Law Courts in the Strand. In The Law Courts, David Brownlee makes extensive use of the vast archives of the Public Record Office to document a monument that embodies both the professional controversies surrounding architectural theory and the personal ...
"More than a guide, this is a thorough and engaging study of a great American institution."--Choice
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Democracy Prevention explains how America's alliance with Egypt has impeded democratic change and reinforced authoritarianism over time.
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.