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A RADIO 4 BOOK OF THE WEEK ‘An affectionate and revealing account ... Funny, sad, real, rueful.’ The Times ‘Warm, rambling and self-aware’ Guardian The long-awaited, rambling, tender, and very funny memoir from Adam Buxton
List of members in each volume.
List of members in each volume.
I Married a Mystic—one woman’s leap of faith to discover a love that never ends. It was a surprise to gutsy, Kirsten Buxton when Jesus appeared to her, announcing he would be her guide. At twenty-seven years of age, a serious bike accident had left her physically, psychologically, and emotionally devastated, with no control over her life. Having had no previous relationship with Jesus, she began studying A Course in Miracles, and developing trust in the Spirit within. Miraculously, world-renowned teacher of A Course in Miracles, David Hoffmeister, visited her hometown. Jesus told Kirsten to trust this man completely in order to experience a relationship like no other. Her courageous acce...
"Bye-Bye Charlie is the first publication to interweave a large collection of oral testimony with documentary evidence to record the history of an Australian institution for intellectually disabled people. Established in 1887, Kew Cottages (now Kew Residential Services) is Australia's largest and oldest institution for people with intellectual disability. Originally built to care for children, the institution always housed a range of people from babies to the elderly. 'Bye-Bye Charlie' includes the stories of residents, staff, policymakers, parents and family members. It is a moving and at times distressing portrait of the institution, which traces shifts in attitudes towards the intellectually disabled over time. It concludes with the upcoming closure of the institution next year."--Provided by publisher.
"Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market." "Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging."--BOOK JACKET.