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David Yurman
A celebration of Yurman’s emblematic cable motif, this book explores the form’s enduring appeal through the lens of an iconic American jewelry house. Since 1983, when David Yurman debuted its now-legendary Cable bracelet, the twisted helix has been the American jeweler’s signature. As Yurman himself states, “Cable is the river that runs through all of our collections.” Unifying his designs—from diamond-encrusted cuffs to modern timepieces and more—the form nods to antiquity while highlighting Yurman’s renown for creativity and contemporary craftsmanship. Rhythmic, strong, and flexible, it epitomizes sculptural simplicity, opening the doors to myriad possibilities. The book explores cable as an archetypal form and Yurman’s artistic use of it as a grand hypothesis steeped in both history and nature as the brand’s defining visual icon. With never-before-seen sketches, breathtaking photography, and informative text, this exquisite volume will be sought after by design and jewelry lovers.
Class 50
Class 50: A Pictorial Journey is an album of photographs, mainly taken by David Cable, a well-regarded author of a number of picture albums, covering trains both in the UK and in many countries worldwide. The class 50 was an express locomotive built in the late 1960s and withdrawn at the beginning of the 1990s. Nicknamed hoovers because of their distinctive noise, they were a favorite class of many railway enthusiasts, resulting in several having been preserved. The photos demonstrate the many areas of operation and duties undertaken by these locomotives, initially in the North of England and Scotland, and then regular duties on the Western region and finally the Southern lines from London to Exeter.
An Historical View of Pompey Hill, NY Volume 1
Volume 1 Lays out the format for the three volumes. Luella Dunham's "Talks About Pompey" of 1879 are numbered on a map of the Pompey Hill hamlet. Chapter 1 describes the life and work of Miss Dunham who was the correspondent to two newspapers from 1872 to 1883.
A Bitter Peace
Demonstrating the centrality of diplomacy in the Vietnam War, Pierre Asselin traces the secret negotiations that led up to the Paris Agreement of 1973, which ended America's involvement but failed to bring peace in Vietnam. Because the two sides signed the agreement under duress, he argues, the peace it promised was doomed to unravel. By January of 1973, the continuing military stalemate and mounting difficulties on the domestic front forced both Washington and Hanoi to conclude that signing a vague and largely unworkable peace agreement was the most expedient way to achieve their most pressing objectives. For Washington, those objectives included the release of American prisoners, military ...
