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Whitehead's Radically Different Postmodern Philosophy
Postmodern philosophy is often dismissed as unintelligible, self-contradictory, and as a passing fad with no contribution to make to the problems faced by philosophers in our time. While this characterization may be true of the type of philosophy labeled postmodern in the 1980s and 1990s, David Ray Griffin argues that Alfred North Whitehead had formulated a radically different type of postmodern philosophy to which these criticisms do not apply. Griffin shows the power of Whitehead's philosophy in dealing with a range of contemporary issues—the mind-body relation, ecological ethics, truth as correspondence, the relation of time in physics to the (irreversible) time of our lives, and the reality of moral norms. He also defends a distinctive dimension of Whitehead's postmodernism, his theism, against various criticisms, including the charge that it is incompatible with relativity theory.
Physics and Whitehead
Featuring discussions and dialogue by prominent scientists and philosophers, this book explores the rich interface of contemporary physics and Whitehead-inspired process thought. The contributors share the conviction that quantum physics not only corroborates many of Whitehead's philosophical theses, but is also illuminated by them. Thus, though differing in perspective or emphasis, the contributions by Geoffrey Chew, David Finkelstein, Henry Stapp and other scientists conceptually dovetail with those of Philip Clayton, Jorge Nobo, Yutaka Tanaka and other process philosophers.
Whitehead's Metaphysics of Extension and Solidarity
At the base of Whitehead's philosophy of organism is a vision of the solidarity of all final actualities. Each actuality is a discrete individual enjoying autonomous self-determination, yet each also requires all other actualities as essential components and partial determinants of its own nature. This vision of universal solidarity, Nobo demonstrates, is the fundamental metaphysical thesis whose truth the categories and principles of Whitehead's philosophy were expressly designed to elucidate. The received interpretations of Whitehead's thought, Nobo shows, have ignored the mutual relevance of the solidarity thesis and the organic categoreal scheme and, for that reason, have grossly misrepr...
1950s Fashion Print
An essential sourcebook of prints from a key fashion decade. The 1950s was the decade when an analytical approach to design, with a lightness and freshness, combined with whimsical imagery and idiosyncratic subject matter. Showcasing hundreds of print designs, this book celebrates the heyday of postwar fashion design. From Lucienne Day and Robert Stewart to Maija Isola of Marimekko, the designs and influences of the print icons of the time are all covered. In addition to finished prints, the book contains exclusive illustrations and original artworks. The major themes of the period are explored, including: narrative and novelty; abstraction, exploring the distorted and attenuated forms used in print; artistic licence and the influence of contemporary art on fashion print; and finally kinetic prints that capture the influence of the era’s ‘mobiles, doodles and spasms’. Each short chapter introduction is followed by a range of illustrations with captions to give provenance and relevance, making this a unique sourcebook for contemporary designers and students.
