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Reflections
Jon Tolansky outlines the formation and development of the Music Research Centre (MPRC) in London and the many hurdles that had to be surmounted before its inauguration. He also provides, in the final article, a selective catalogue of the current MPRC holdings of archive-recordings, audio and video, available to visitors to the Centre's Listening Studio. The voice of the musician engaged in performing in the concert hall or opera house is rarely heard, nor do we hear from members of the audience, other than in the writings of professional critics. In Reflections, a conductor has the opportunity to respond to questions about opera in translation, and other questions relating to opera; a singer writes about the difficulties and rewards of taking the title role in three very different productions of a remarkable opera; two of London's distinguished orchestral musicians describe their journey into the profession and provide an insight into the joys and perils involved in that hazardous profess
Poverty and Welfare Among the Portuguese Jews in Early Modern Amsterdam
The reputed wealth and benevolence of the Portuguese Jews of early modern Amsterdam attracted many impoverished people to the city, both ex-Conversos from the Iberian peninsula and Jews from many other countries. In describing the consequences of that migration in terms of demography, admission policy, charitable institutions—public and private—philanthropy and daily life, and the dynamics of the relationship between the rich and the poor, Tirtsah Levie Bernfeld adds a nuanced new dimension to the understanding of Jewish life in the early modern period.
Ombra
Ombra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror, ' thus placing ombra music in an important position in the context of eighteenth-century aesthetic theory.
Strangers Within
A comprehensive study of the New Christian elite of Jewish origin—prominent traders, merchants, bankers and men of letters—between the fifteenth and eighteenth centuries In Strangers Within, Francisco Bethencourt provides the first comprehensive history of New Christians, the descendants of Jews forced to convert to Catholicism in late medieval Spain and Portugal. Bethencourt estimates that there were around 260,000 New Christians by 1500—more than half of Iberia’s urban population. The majority stayed in Iberia but a significant number moved throughout Europe, Africa, the Middle East, coastal Asia and the New World. They established Sephardic communities in North Africa, the Ottoman...
Official Gazette
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History of the Jews
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Tempesta
Tempesta is a term coined in this book applying to music that exhibits agitated or violent characteristics in order to evoke terror and chaos, involving ideas like rapid scale passages, driving rhythmic figurations, strong accents, full textures, and robust instrumentation including prominent brass and timpani. Music of this type was used for storm scenes, which in operas of the 17th and 18th centuries are almost invariably of supernatural origin, and other frightening experiences such as pursuit, madness, and rage. This ‘stormy’ music formed the ingredients of a particular style in the later 18th century that scholars in recent decades have referred to as Sturm und Drang, implying a rel...
I Celebrate Myself
In the first biography of Ginsberg since his death in 1997 and the only one to cover the entire span of his life, Ginsberg's archivist Bill Morgan draws on his deep knowledge of Ginsberg's largely unpublished private journals to give readers an unparalleled and finely detailed portrait of one of America's most famous poets. Morgan sheds new light on some of the pivotal aspects of Ginsberg's life, including the poet's associations with other members of the Beat Generation, his complex relationship with his lifelong partner, Peter Orlovsky, his involvement with Tibetan Buddhism, and above all his genius for living.
Last Star Standing
The Wishing Shelf Awards Finalist Eric Hoffer Prize Finalist CYGNUS Book Awards for Science Fiction 2021 Finalist Aiden has always felt like an outsider. After the rebel assassin is captured and imprisoned by the world’s galactic overlords, he awaits execution. Then a mole working for the occupying regime alerts him to a plot that could destroy the entire resistance... Engineering a daring escape, Aiden’s growing feud with the new rebel leader leaves him out in the cold and smouldering with resentment. Faced with deceit and betrayals on every side, he recruits a group of overlooked outcasts and stakes everything on one last mission. Can the restless, reckless Aiden take a stand long enough to save humanity from enslavement?
Taken
'A brilliant writer' EVENING STANDARD Joe Pike must take on his toughest challenge yet. He must hunt down and rescue . . . Elvis Cole. A nail-biting Cole and Pike novel from the No. 1 NEW YORK TIMES bestselling author. Elvis Cole. All round nice guy. Always the first man to help a stranger in distress. This time, however, he's paid the ultimate price for trying to be the good Samaritan. Joe Pike. A fierce protector and a dangerous enemy. This time his tough guy exterior will be tested to the limit as he risks everything to save his closest friend. The clock is ticking now that Elvis has been TAKEN.
