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Art History as Social Praxis
Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven’s voice as an unorthodox Marxist who applied historical materialism to the study of modern art.
Mexican Modern
Photographs of girls and boys from fifty ranching families representing diverse cultural backgrounds.
Art and Revolution in Latin America, 1910-1990
In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution'...
Dialectical Conversions
Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kus...
Abstract Expressionism and the Cultural Logic of Romantic Anti-Capitalism
A study of the political implications of Abstract Expressionism.
Art and Revolution in Latin America, 1910-1990
In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution'...
Key Writers on Art: The Twentieth Century
Key Writers on Art: The Twentieth Century offers a unique and authoritative guide to modern responses to art. Featuring 48 essays on the most important twentieth century writers and thinkers and written by an international panel of expert contributors, it introduces readers to key approaches and analytical tools used in the study of contemporary art. It discusses writers such as Adorno, Barthes, Benjamin, Freud, Greenberg, Heuser, Kristeva, Merleau-Ponty, Pollock, Read and Sontag.
Representation Theory of Finite Groups: a Guidebook
This book provides an accessible introduction to the state of the art of representation theory of finite groups. Starting from a basic level that is summarized at the start, the book proceeds to cover topics of current research interest, including open problems and conjectures. The central themes of the book are block theory and module theory of group representations, which are comprehensively surveyed with a full bibliography. The individual chapters cover a range of topics within the subject, from blocks with cyclic defect groups to representations of symmetric groups. Assuming only modest background knowledge at the level of a first graduate course in algebra, this guidebook, intended for students taking first steps in the field, will also provide a reference for more experienced researchers. Although no proofs are included, end-of-chapter exercises make it suitable for student seminars.
Latin American Posters
A comprehensive illustrated survey of Acoma pottery made between about 1300 and the present.
