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Within the Frame
  • Language: en
  • Pages: 272

Within the Frame

  • Type: Book
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  • Published: 2009-05-01
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  • Publisher: New Riders

Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention. Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame.

Photographically Speaking
  • Language: en
  • Pages: 537

Photographically Speaking

  • Type: Book
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  • Published: 2011-10-11
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  • Publisher: New Riders

When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal....

The Soul of the Camera
  • Language: en
  • Pages: 246

The Soul of the Camera

As both an art form and a universal language, the photograph has an extraordinary ability to connect and communicate with others. But with over one trillion photos taken each year, why do so few of them truly connect? Why do so few of them grab our emotions or our imaginations? It is not because the images lack focus or proper exposure; with advances in technology, the camera does that so well these days. Photographer David duChemin believes the majority of our images fall short because they lack soul. And without soul, the images have no ability to resonate with others. They simply cannot connect with the viewer, or even—if we’re being truthful—with ourselves.

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VisionMongers
  • Language: en
  • Pages: 273

VisionMongers

  • Type: Book
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  • Published: 2009-11-11
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  • Publisher: New Riders

For those who want to make the transition into the world of vocational photography—staying true to your craft and vision, while fusing that craft with commerce VisionMongers is a great place to begin your journey. With a voice equally realistic and encouraging, photographer David duChemin discusses the experiences he’s had, the lessons he’s learned, and the practices he’s adopted in his own winding journey to becoming a successful working photographer. When it comes to this personal, honest combination of craft and commerce, there is no single path to success. Everyone’s goals are different, as is everyone’s definition of success. As such, VisionMongers does not prescribe a one s...

The Visual Toolbox
  • Language: en
  • Pages: 282

The Visual Toolbox

  • Type: Book
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  • Published: 2015-03-20
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  • Publisher: New Riders

Simply having a certain camera or lens isn’t going to make you a better photographer. So, what will? Understanding your camera. Thinking differently. Studying photographs and knowing what they provoke in you, and why. Giving the craft time to grow. Looking to painters, designers, and others who work in two dimensions and learning from them. Relentlessly looking for light, lines, and moments. Making photographs–thousands and thousands of photographs. There’s no magic bullet to achieving success, but in these pages you will learn the value of studying, practice, and remembering that your most important assets as an artist are imagination, passion, patience, receptivity, curiosity, and a ...

The Heart of the Photograph
  • Language: en
  • Pages: 291

The Heart of the Photograph

Learn to ask better, more helpful questions of your work so that you can create stronger and more powerful photographs.

Photographers often look at an image—one they’ve either already created or are in the process of making—and ask themselves a simple question: “Is this a good photograph?” It’s an understandable question, but it’s really not very helpful. How are you supposed to answer that? What does “good” even mean? Is it the same for everyone?

What if you were equipped to ask better, more constructive questions of your work so that you could think more intentionally and creatively, and in doing so, bring more specific action and vision to the act...

The Print and the Process
  • Language: en
  • Pages: 520

The Print and the Process

  • Type: Book
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  • Published: 2012-11-30
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  • Publisher: New Riders

The Print and the Process is a book of ideas, thoughts, and techniques about our photographs and the process that leads us to the final image. (To be clear, it is not an instructional book about how to print your images.) In this beautiful book, David duChemin takes the reader behind the scenes on four distinct photographic projects, discussing motivation, image creation, and post-production. The projects he walks the reader through are from Iceland, Kenya, Antarctica, and Venice–and for each he discusses the hows and whys of his own image-making process. Each project begins with a beautiful series of 20-30 final images from that project–this is "the print" section, and it's geared for t...

Textbook of Pediatric Gastroenterology, Hepatology and Nutrition
  • Language: en
  • Pages: 889

Textbook of Pediatric Gastroenterology, Hepatology and Nutrition

  • Type: Book
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  • Published: 2015-09-30
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  • Publisher: Springer

This textbook provides a comprehensive and state-of-the-art overview of the major issues specific to the field of pediatric gastroenterology, hepatology, and nutrition. The first part of the book, Gastroenterology and Nutrition, presents in a systematic way the overall scope of issues encountered by children (newborn to teenagers) suffering from disorders of the gastrointestinal tract, pancreas and/or presenting nutritional issues. These chapters are structured in logical sections to facilitate consultation and include major topics ranging from congenital disorders to gastrointestinal problems of the newborn, infectious diseases of the gastrointestinal tract, and approach to nutritional prob...

The Fast Track Photographer Business Plan
  • Language: en
  • Pages: 258

The Fast Track Photographer Business Plan

NEW RULES FOR A NEW BUSINESS WORLD Thinking about starting a photography business? The first thing you need to know is that the rules have changed. Yesterday’s business models have collapsed. Creating a successful business in today’s "Digi-Flat" era requires a sharp new approach, one that Dane Sanders has practiced successfully and taught at Fast Track workshops and seminars all around the world. Some of the things you'll learn in this book: How to turn the very technologies that are "killing" professional photography—such as the Internet—into your tools of success -How to lead your business, not let your business lead you -How systematizing, scaling, and outsourcing are critical con...

Light, Space, and Time
  • Language: en
  • Pages: 325

Light, Space, and Time

A book about the craft of camera-using and the creative struggle of picture-making.

Learning how a camera works is not difficult. Once you understand how to focus and expose, the rest are details. So why is it such a challenge to make photographs that feel like they do what we hope for? Could it be we're asking the camera to do the work that all along has been ours to figure out? Is it possible we've been thinking too much about the camera and not enough about our own creativity? In an industry that obsesses over the gear and all too often ignores the deeper questions around creativity and expression, this should come as no surprise.

It’s true, the camera sees differently ...