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David Howe Letters
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David Howe Letter
Letter from David Howe complaining that Mr. Smith is selling liquor.
Charles Harlan
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The Present is the Form of All Life
Perhaps best known for the iconic desert monolith "Cadillac Ranch" and stunts like "Media Burn," the radical architecture and media art group Ant Farm created an abundance of works across disciplines--including video, publications, built environments and performances. Throughout their career (1968-79), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farm's time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined. Ant Farm's successor group, LST, has taken up the p...
Roberto Matta and the Fourth Dimension (Russian Edition)
The works of Roberto Matta (1911-2002) on the occasion of the first exhibition in Russia devoted to one of the last Surrealist masters. Published on the occasion of the first exhibition in Russia, the volume features over 60 works showing Roberto Matta's unique understanding of space and the evolution of the artist who was able to find his own vison of the world through the fourth dimension and project it on canvas. Roberto Antonio Sebastian Matta Echaurren was born in 1911 in Santiago, Chile. A cosmopolitan artist (mixed Spanish, Basque and French origin), Matta lived and worked in South America, France, Mexico, the US, Italy, Spain and England. Urged by his parents who did not believe pain...
The Bodies of Others
The first book-length exploration of drag dance in the U.S.
The Persistence of Dance
There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philip...
Dirty Looks at MoMA
Dirty Looks NYC, a platform for queer experimental film and video, went on location--to the film collection at MoMA. Staging alternative screening interventions within the Museum's spaces throughout the summer and fall of 2013. This collection analyzes the surprisng finds, reappraisals and expansions of that cinematic archive.
Choreographing Intersubjectivity in Performance Art
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
