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Paradise Lost
Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation’s shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald’s deepest allegiances were to a fading antebellum world he associated with his father’s Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts of Lake Forest, Princeton, and Hollywood—places that left an indelible mark on his worldview. In this comprehensive biography, Brown reexamines Fitzgerald’s childhood, first lo...
I'd Die For You
"Known not only for his brilliant novels but also for short stories chronicling the Jazz Age, such as 'Bernice bobs her hair' and 'The diamond as big as the Ritz, ' F. Scott Fitzgerald continued to write stories his entire life, some of which were never published--until now. Many of the stories in I'd die for you were submitted to major magazines and accepted for publication during Fitzgerald's lifetime but were never printed. A few were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald in the 1930s. They come from various sources, from library archive to private collections, including those of Fitzgerald's family"--Jacket flap.
The New Rules of Marketing and PR
Scott analyses how the internet has revolutionised communications and promotions. Told with many compelling case studies and real-world examples, this is a practical guide to the new reality of PR and marketing.
The Man Who Would Be F. Scott Fitzgerald
The “wickedly amusing” Edgar Award–winning mystery starring ghostwriter/sleuth Stewart Hoag and his “delightful” basset hound sidekick Lulu (Publishers Weekly). Stewart Hoag knows how quickly fame can fade. The same critics who adored his first novel used his second for target practice, ending his literary career once and for all. To keep his basset hound fed, Hoagy ghostwrites memoirs for the rich, famous, and self-destructive. His newest subject reminds him all too much of himself. By the age of twenty, Cam Noyes is already being hailed as the next F. Scott Fitzgerald. Though he’s only published one book, Cam runs with the big boys: dating artists, trashing restaurants, and ending every night in a haze of tequila and cocaine. So glamorous is his lifestyle that he’s having trouble starting his second novel, forcing his agent to hire Hoagy to get the little genius working on a memoir instead. As Hoagy digs into the kid’s life story, he learns that New York publishing is even more cutthroat than he thought.
A Quiet Gathering
'David Scott belongs firmly to the long tradition of parson-poets that goes back at least as far as George Herbert... For all their reticence, there is a compassion in these poems and a sense of propriety' - Norman Nicholson.Springing from ordinary events, or a picture, or an aspect of the priestly life, David Scott's beautifully restrained poems work up the detail into a moment of significance. They are rooted in an English culture which is found not only in locality, but also in understatement, and the sideways look. But his poetry has wider reverberations, exploring spirituality and ways of praying as well as momentary glimpses of meaning caught in everyday life.David Scott won the National Poetry Competition in 1978, and he was awarded the Geoffrey Faber Memorial Prize for his first book A Quiet Gathering, which is illustrated by Graham Arnold of the Brotherhood of Ruralists.
Beyond the Drift
Springing from ordinary events, or a picture, or an aspect of the priestly life, David Scott's beautifully restrained poems work up the detail into a moment of significance. They are rooted in an English culture, which appears not only in locality, but also in understatement, and the sideways look. But his poetry has wider reverberations, exploring spirituality and ways of praying as well as momentary glimpses of meaning caught in everyday life. David Scott won the National Poetry Competition in 1978, and this new retrospective draws on all the books he has published since then.
An Omelette and a Glass of Wine
A classic collection of articles, book reviews, and travel essays from “the best food writer of her time” (Jane Grigson, The Times Literary Supplement). An Omelette and a Glass of Wine offers sixty-two articles originally written by Elizabeth David between 1955 and 1984 for numerous publications including the Spectator, Gourmet magazine, Vogue, and the Sunday Times. This revered classic volume contains delightful explorations of food and cooking, among which are the collection’s namesake essay and other such gems as “Syllabubs and Fruit Fools,” “Sweet Vegetables, Soft Wines,” “Pleasing Cheeses,” and “Whisky in the Kitchen.” Elizabeth David’s subjects range from the st...
The Great Gatsby
Ranked 2nd [after James Joyce's Ulysses] on the Modern Library's list of "The 100 Best Novels" Ranked 46th on the French Le Monde's list of "The 100 Best Novels in the World” The Great Gatsby is the anthem of the Jazz Age, the decadent twenties' seminal work, and the ultimate novel about the American Dream. It doesn't matter how many times it's adapted into film. Or theater. Or opera. It's through F. Scott Fitzgerald's masterful prose that the story of the ruthless and extravagant Jay Gatsby, narrated by the honest Nick Carraway, continues to live on as the great American classic. F. SCOTT FITZGERALD [1896-1940] was an American author, born in St. Paul, Minnesota. His legendary marriage to Zelda Montgomery, along with their acquaintances with notable figures such as Gertrude Stein and Ernest Hemingway, and their lifestyle in 1920s Paris, has become iconic. A master of the short story genre, it is logical that his most famous novel is also his shortest: The Great Gatsby [1925].
Conscripts of Modernity
At this stalled and disillusioned juncture in postcolonial history—when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism—David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance—as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future d...
