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Early Stuart Studies
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Early Stuart Studies
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A History of England
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Early Stuart Studies
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King James VI and I.
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James VI and I
James VI and I was the first king to rule both England and Scotland. He was unique among British monarchs in his determination to communicate his ideas by means of print, pen, and spoken word. James's own work as an author is one of the themes of this volume. One essay also sheds new light on his role as a patron and protector of plays and players. A second theme is the king's response to the problems posed by religious divisions in the British Isles and Europe as a whole. Various contributors to this collection elucidate James's own religious beliefs and their expression, his efforts before 1603 to counter a potential Catholic claim to the English throne, his attempted appropriation of scripture in support of his own authority, and his distinctive vision of imperial kingship in Britain. Some different reactions to the king, to his expression of his ideas and to the implementation of his policies form this book's third theme. They include the vigorous resistance to his attempt to change Scottish religious practice, and the sharply contrasting assessments of his life and reign written after James's death.
The Stuart Constitution, 1603-1688
Originally published in 1966, this text established itself as the standard work in 17th century English history in the course of time. The second edition includes a rewritten commentary and has been thoroughly revised and updated in several important areas.
King James VI and I
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Cultural Aesthetics
A brilliant postmodern critique of Renaissance subjectivity, Cultural Aesthetics explores the simultaneous formation and fragmentation of aristocratic "selfhood" in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of "trivial" arts—including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her integration of historicist and aesthetic perspectives makes this a provocative contribution to the vigorous field of Renaissance cultural studies.
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
