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Original and theoretically astute, Abstract Bodies is the first book to apply the interdisciplinary field of transgender studies to the discipline of art history. It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventio...
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. There has never been an anthology of artists' writings like Queer. It is an antidote to assimilation, a call for radical creativity, and a recipe for artistic revolution. - Richard Meyer, Professor, Department of Art & Art History, Stanford University Rather than a book of queer theory for artists, this is a book of artists' queer tactics and infectious concepts. In the first such anthology to be centred on artists' writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have ...
"Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century"--Provided by publisher.
Catalogus bij de tentoonstelling van schilderijen die Van Gogh maakte van de slaapkamers in de 37 huizen waar hij gedurende zijn leven woonde.
The arts: general issues.
"This book analyzes for the first time the art-theoretical concerns of the late-Victorian sculptors, focusing on their attitudes toward the representation of the human body. David J. Getsy uncovers a previously unrecognized sophistication in the New Sculpture through close study of works by key figures in the movement: Frederic Leighton, Alfred Gilbert, Hamo Thornycroft, Edward Onslow Ford, and James Havard Thomas."--Jacket.
"This book brings together Burton's writings on art and performance ... tracing his development as an art critic and including his early artist statements. This period, from 1965 to 1975, was foundational for Burtons' later artistic practice"--P. 1.
"Pink labor on golden streets: queer art practices is particularly concerned with combining, juxtaposing, or playing off various artistic strategies where form and politics intervene. Two artistic attitudes, often perceived as divergent, are described here: the choice of form attributed to political issues versus political stances dictating the question of form. This book sheds light on contradictory standpoints of queer art practices, conceptions of the body, and ideas of 'queer abstraction, ' a term coined by Jack Judith Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire"--Page [4] of cover.
"Cassils is a performance artist and body builder who uses their own body in a sculptural fashion, thereby interrogating feminism, body art, and gay male aesthetics. Together, their body of work and physical body stretch and play with the boundaries between binary conceptions of gender, and between vulnerability and strength. Applying extreme techniques uncommon to the realm of contemporary art, such as bodybuilding, stunts, and martial arts, transgender physiques emerge that physically question notions of violence and resistance from a transgendered perspective, illustrated here through several compelling works"--Artist's web site (viewed on September 16, 2015).
Over the past two decades, the exiled Russian artist Slava Mogutin has gained international acclaim for his gritty, candid portrayal of disaffected youth and documentation of alternative urban subcultures, as well as his writings, multimedia work, and political activism.Bros & Brosephinesis a survey of Mogutin's studio and fashion photography, commissioned portraits, and previously unpublished images. From his early raw analog snapshots to elaborate compositions, sets, and post-production, the book offers Mogutin's signature explosive blend of art, fashion, and fetish, transcending and dissecting the conventional notions of beauty and masculinity.The monograph also features Mogutin's collaborations with fellow artists, including Brian Kenny, Gio Black Peter, Andrey Bartenev, Asher Levine, Martin Elmasflaco, Sebastien Meunier, François Sagat, Jan Wandrag, and many more.