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In one hundred short essays David Collard navigates James Joyce's astonishing cultural legacy in the century since the publication of Ulysses in 1922.Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann O'Brien, Guinness, Hattie Jacques, John Cage, Kim Kardashian, Lego, Moby-Dick, numismatics, perfume, pianos, Princess Grace, puns, The Ramones, Sally Rooney, Stanley Unwin, Star Wars, waxworks or Zylo spectacles. Endlessly reinvented and exploited, Joyce emerges as a ubiquitous, indispensable and ruthlessly commodified Everyman.As Rónán Hession puts it in his introduction, Collard is above all "good company". Whether you're a devout admirer or wary newcomer, this surprising, unconventional handbook offers an entertaining prompt to dive into the depths of Joyce's ever-expanding universe with a new awareness that it is very much our own.
Presents twelve critical essays on the Irish writer and his works.
Though he published just a handful of major works in his lifetime, James Joyce (1882-1941) continues to fascinate readers around the world and remains one of the most important literary figures of the 20th century. The complexity of Joyce's style has attracted--and occasionally puzzled--generations of readers who have succumbed to the richness of his literary world. This literary companion guides readers through his four major works--Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegans Wake--with chapter-by-chapter discussions and critical inquiry. An A to Z format covers the works, people, history and context that influenced his writing. Appendices summarize notable Joycean literary criticism and biography, and also discuss significant films based on his work.
In the thousands, perhaps millions, of words written about Joyce, Ireland often takes a back seat to his formal experimentalism and the modernist project as a whole. In James Joyce, Andrew Gibson challenges this conventional portrait, demonstrating that the tightest focus—Joyce as an Irishman—yields the clearest picture.
Modernism: An Anthology is the most comprehensive anthology of Anglo-American modernism ever to be published. Amply represents the giants of modernism - James Joyce, Gertrude Stein, Virginia Woolf, T.S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett. Includes a generous selection of Continental texts, enabling readers to trace modernism’s dialogue with the Futurists, the Dadaists, the Surrealists, and the Frankfurt School. Supported by helpful annotations, and an extensive bibliography. Allows readers to encounter anew the extraordinary revolution in language that transformed the aesthetics of the modern world .
World-class rehabilitation of the injured athlete integrates best practice in sports medicine and physical therapy with training and conditioning techniques based on cutting-edge sports science. In this ground-breaking new book, leading sports injury and rehabilitation professionals, strength and conditioning coaches, biomechanists and sport scientists show how this integrated model works across the spectrum of athlete care. In every chapter, there is a sharp focus on the return to performance, rather than just a return to play. The book introduces evidence-based best practice in all the core areas of sports injury risk management and rehabilitation, including: performance frameworks for med...
In his comprehensive study of love in James Joyce's writings, Christopher DeVault suggests that a love ethic persists throughout Joyce's works. DeVault uses Martin Buber's distinction between the true love for others and the narcissistic desire for oneself to frame his discussion, showing that Joyce frequently ties his characters' personal and political pursuits to their ability to affirm both their loved ones and their fellow Dubliners. In his short stories and novels, DeVault argues, Joyce shows how personal love makes possible a broader social compassion that creates a more progressive body politic. While his early protagonists' narcissism limits them to detached engagements with Dublin that impede effective political action, Joyce demonstrates the viability of his love ethic through both the Blooms’ empathy in Ulysses and the polylogic dreamtext of Finnegan's Wake. In its revelation of Joyce's amorous alternative to the social and political paralysis he famously attributed to twentieth-century Dublin, Joyce's Love Stories allows for a better appreciation of the ethical and political significance underpinning the author's assessments of Ireland.
"This study provides the first comprehensive historical account of Joyce's writings 1898-1915 in the context both of the distinct phases and shifting currents of British-Irish history during the period, and the sometimes rather different phases important in the works"--From jacket.
"James Joyce's A Portrait of the Artist as a Young Man (1916) is one of the twentieth century's great coming-of-age novels. This Norton Critical Edition is based on Hans Walter Gabler's acclaimed text and is accompanied by his introduction and textual notes. John Paul Riquelme provides explanatory notes to deepen the reader's appreciation for Joyce's masterpiece." ""Backgrounds and Contexts" is topically organized: "Political Nationalism: Irish History, 1798-1916," "The Irish Literary and Cultural Revival," "Religion," and "Aesthetic Backgrounds." Fourteen illustrations accompany the documents." ""Criticism" begins with John Paul Riquelme's overview of A Portrait of the Artist as a Young Man's structure. Twelve diverse interpretations of his work follow, by Kenneth Burke, Umberto Eco, Hugh Kenner, Helene Cixous, John Paul Riquelme, Karen Lawrence, Maud Ellmann, Bonnie Kime Scott, Joseph Valente, Marian Eide, Pericles Lewis, adn Jonathan Mulrooney. A Selected Bibliography is also included."--BOOK JACKET.
James Joyce’s preoccupation with space—be it urban, geographic, stellar, geometrical or optical—is a central and idiosyncratic feature of his work. In Making Space in the Works of James Joyce, some of the most esteemed scholars in Joyce studies have come together to evaluate the perception and mental construction of space, as it is evoked through Joyce’s writing. The aim is to bring together several recent trends of literary research and criticism to bear on the notion of space in its most concrete sense. The essays move dialectically out of an immediate focus on the phenomenological and intra-psychic, into broader and wider meditations on the social, urban and collective. As Joyce’s formal experiments appear the response to the difficulty of enunciating truly the experience of lived space, this eventually leads us to textual and linguistic space. The final contribution evokes the space with which Joyce worked daily, that of his manuscripts—or what he called "paperspace." With essays addressing all of Joyce's major works, this volume is a critical contribution to our understanding of modernism, as well as of the relationship between space, language, and literature.