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With a career spanning almost three decades, Kerry James Marshall is well known for his complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes, all of which synthesize different traditions and genres while seeking to counter stereotypical representations of black people in society. Working across various mediums, from paintings to comic-style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African-American history, integrating a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of Marshall's first exhibition at Davi...
Winner of the Best Book With Facts Blue Peter Book Award 2017. Amazing real-life stories about extreme survival. Beautifully presented in a large, paperback format, and fully illustrated in colour throughout, this wonderful anthology is a treat for all the family. Be shocked and amazed by these incredible real-life stories of extreme survival, including . . . The Man Who Sucked Blood from a Shark, a sailor who survived for 133 days on a raft in the Atlantic when his ship was torpedoed, using shark's blood in place of fresh water. The Girl Who Fell From the Sky, a teenager who fell 2 miles from an aeroplane and trekked through the Amazon jungle to safety. The Woman Who Froze to Death - Yet Li...
Trish Shallowman just wants her divorce but Curtis, her soon to be ex-husband, has already proven that he's willing to kill to maintain the sanctity of their marriage. Thanks to Curtis's sudden sense of homicidal devotion, Trish's grandfather is dead and Addison is in the hospital having a bullet dug out of his chest. Now David, the only guy Trish really trusts, is dividing his time between trying to keep Trish alive and figuring out what to do with the million dollars in stolen jewelry that Trish's grandfather kept hidden in his house for the last 30 years. Trish is pretty sure someone's body is going to wind up buried in the depths of the swamp before she actually makes it to her final divorce court date. She's just not sure whether the corpse in question will be hers or her ex's.
Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
"With a full report of the various dioceses in the United States and British North America, and a list of archbishops, bishops, and priests in Ireland.