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This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
Sir Banister Fletcher's Global History of Architecture is the acknowledged classic reference work for architectural history. It has been essential reading for generations of architects and students since the first edition was published in 1896 - and this tradition continues today as the new 21st edition provides the most up-to-date, authoritative and detailed account of the global history of architecture available in any form.Thousands of major buildings from around the world are described and explained, accompanied by over 2,200 photographs, plans, and drawings. Architectural styles and traditions are placed within a clear framework, and the chronological and geographical arrangement of the work's 102 chapters allows for easy comparative analysis of cultural contexts, resources, and technologies.
The Fabric of Cities presents an interdisciplinary collection of articles on urbanism in ancient Mesopotamia, Israel, Greece and Rome, which focuses on the social dimension of cities' topographical features. The contributions of this book offer investigations of neighbourhoods, city gates, streets, temples and palaces drawing on textual and archaeological sources as well as art. The topics treated in this work encompass the diverse functions of public and marginal spaces in Mesopotamian cities and Rome, the role of agency in the development of Babylonian neighbourhoods, the relationship between public and private in Assyrian palaces, the connection between political strategies and temple building in Sumerian literary texts, and the communicative uses of language in Classical Greek texts to talk about urban space.
Esarhaddon, King of Assyria continues Josette Elayi's narrative journey through the lives of the kings of the Neo-Assyrian Empire. Using both archaeological and textual evidence, Elayi examines the contentious circumstances surrounding Esarhaddon's accession to the throne in 681 BCE, his rebuilding of Babylon, which had been destroyed by his father Sennacherib, his successful campaigns in Media, the Arabian Peninsula, Anatolia, the Caucasus, and the Levant, and his ultimate achievement, the conquest of Egypt in 671 BCE. Throughout, Elayi presents a rich portrait of this enigmatic figure, whose short but impactful reign was plagued by chronic illness and a complex--and ultimately fatal--relationship with his court officials. Yet, through it all, Esarhaddon emerges as one of the most scholarly and most politically successful kings of the empire.
This in-depth exploration of emotions in the ancient Near East illuminates the rich and complex worlds of feelings encompassed within the literary and material remains of this remarkable region, home to many of the world’s earliest cities and empires, and lays critical foundations for future study. Thirty-four chapters by leading international scholars, including philologists, art historians, and archaeologists, examine the ways in which emotions were conceived, experienced, and expressed by the peoples of the ancient Near East, with particular attention to Mesopotamia, Anatolia, and the kingdom of Ugarit, from the Late Uruk through to the Neo-Babylonian Period (ca. 3300–539 BCE). The vo...
Six articles by leading scholars on the culture of the Assyrian world pay homage to Paolo Matthiae, known internationally for the discovery of the site of ancient Ebla in Syria. The articles deal with different aspects of Assyrian culture, with innovative and sometimes unexpected points of view, including its reception in the modern world.
Art/ifacts and ArtWorks : De-Colonizing the Study and Museum Display of Ancient and Non-Western Things / Karen Sonik -- Beyond Representation : The Role of Affect in Sumerian Lamenting / Paul Delnero -- Seeing and Knowing: Cultural Concepts and the Deictic Power of the Image in Mesopotamia / Beate Pongratz-Leisten -- The Context(ualization) of Art in Non-Literate Societies : Images and Animal Bronzes in the Armenian Middle Bronze Age / Karen S. Rubinson -- To Be or Not to Be (Divine) : The Achaemenid King and Essential Ambiguity in Image, Text, and Historical Context / Matthew W. Waters -- Glyptic Images as Reflecting Social Order : Changes in Seal Iconographies from Egalitarian to Early Cen...
"The calculated location of the ancient solar eclipses could have an error of up to about 10 kilometers." This statement by the U.S. Space Administration NASA is a scientific outstretching of how ancient eclipses can be found. When numerous eclipses observed in ancient times are applied to that measure set by science, they reveal a very significant secret of ancient history. Another significant factor is the lunar eclipses of the ancient Ur III dynasty. Can they be found? And what does everything have to be considered in order to find them? Why haven't scientists discovered the double eclipse of Babylon?
In Children and Methods: Listening To and Learning From Children in the Biblical World, Kristine Henriksen Garroway and John W. Martens bring together an interdisciplinary collection of essays addressing children in the Hebrew Bible, New Testament, and broader ancient world. While the study of children has been on the rise in a number of fields, the methodologies by which we listen to and learn from children in ancient Judaism and Christianity have not been critically examined. This collection of essays proposes that while the various lenses of established methods of higher criticism offer insight into the lives of children, by filtering these methods through the new field of Childist Criticism, children can be heard and seen in a new light.