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The conquest of Wales by the medieval English throne produced a fiercely contested territory, both militarily and culturally. Wales was left fissured by frontiers of language, jurisdiction and loyalty - a reluctant meeting place of literary traditions and political cultures. But the profound consequences of this first colonial adventure on the development of medieval English culture have been disregarded. In setting English figurations of Wales against the contrasted representations of the Welsh language tradition, this volume seeks to reverse this neglect, insisting on the crucial importance of the English experience in Wales for any understanding of the literary cultures of medieval England and medieval Britain.
This book is a comprehensive single-volume history of literature in the two major languages of Wales from post-Roman to post-devolution Britain.
40th ANNIVERSARY OF THE CASE THAT ROCKED THE NATION Discover the harrowing true story of the notorious serial killer who terrorized New York City forty years ago during the summer of 1977—David Berkowitz, otherwise known as Son of Sam—for true crime fans and viewers of The Lost Tapes: Son of Sam documentary now on the Smithsonian Channel. Son of Sam recounts the incredible, “can’t miss” (Kirkus Reviews) story of how a single man killed six innocent people, wounded several others, and sent millions of New Yorkers into a panic from July 1976 through August 1977. It is also the story of the greatest manhunt in the history of the New York Police Department—the intimate narrative of t...
Incorporating tools borrowed from anthropology, the study of emotion, and modern social and literary theories, these studies balance the traditional literature available on medieval feuding with an exploration of other aspects of vengeance and culture in
This collection of twelve essays describes aspects of town life in medieval Wales, from the way people lived and worked to how they spent their leisure time. Drawing on evidence from historical records, archaeology and literature, twelve leading scholars outline the diversity of town life and urban identity in medieval Wales. While urban histories of Wales have charted the economic growth of towns in post-Norman Wales, much less has been written about the nature of urban culture in Wales. This book fills in some of the gaps about how people lived in towns and the kinds of cultural experience which helped to construct a Welsh urban identity.
Her Life Historical offers a major reconsideration of one of the most popular narrative forms in late medieval England—the lives of female saints—and one of the period's primary modes of interpretation—exemplarity. With lucidity and insight, Catherine Sanok shows that saints' legends served as vehicles for complex considerations of historical difference and continuity in an era of political crisis and social change. At the same time, they played a significant role in women's increasing visibility in late medieval literary culture by imagining a specifically feminine audience. Sanok proposes a new way to understand exemplarity—the repeated injunction to imitate the saints—not simply...
A lively account of the modern staging of the medieval mystery plays, richly illustrated with stills and other photographs. The turn of the last millennium saw a sudden flourishing in the revival of the medieval mystery plays, with a number of different productions being staged across the country and further afield. But why were they staged? What features of the plays attracted the modern-day director? What can the mystery plays offer today's producers, directors, participants and audiences? This book seeks to answer these questions. Beginning with an exploration of the original staging conditions, the study goes on to examine the reasons why the plays are produced today, and through a serie...
In this first full history of the first great Elizabethan play company, Laurie Johnson shows the vital role of Leicester's Men in developing the main features of Shakespearean theatre. Unearthing new discoveries from wide-ranging primary material, he tells the fascinating stories of the lives of the earliest Elizabethan players.
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.