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Kosegarten's Cultural Legacy: Aesthetics, Religion, Literature, Art, and Music
Ludwig Gotthard (Theobul) Kosegarten (1758-1818), whose books were burned by German nationalists in 1817, has for many years been seen as a pariah figure by German literary scholars. Only recently has his influence on cultural icons such as the composer Franz Schubert and the painter Caspar David Friedrich become more clearly defined. This companion volume to Lewis M. Holmes's Kosegarten: The Turbulent Life and Times of a Northern German Poet (Peter Lang, 2004) explores Kosegarten's contributions to aesthetics, theology, and literature, as well as the broad reception of his works by other writers, artists, and musicians. Extensive historical and cultural contextualization make Kosegarten's Cultural Legacy a valuable resource for university-level courses, especially in the areas of music, art, religion, and literature.
Kosegarten
The poet, preacher, and university professor Ludwig Gotthard (Theobul) Kosegarten (1758-1818) lived most of his life in a region on the Baltic Sea known as Swedish Pomerania. This popular writer participated actively in German culture, interacting with Friedrich Schiller and Johann Wolfgang Goethe, as well as other literary figures and intellectuals, including Ernst Moritz Arndt and Friedrich Schleiermacher. Kosegarten helped to shape the aesthetic attitudes of German Romantic art, and his poetry was set to music by three dozen composers, including Franz Schubert. During the French occupation, when German national feelings were running high, Kosegarten shocked his contemporaries by speaking out courageously against patriotic excess. He welcomed the social reforms that were beginning to free serfs and to establish equality under the law. In 1817, German nationalists burned his books and tarred his reputation. This book, which is based on a close reading of his works, is the first detailed biography of Kosegarten to be published in English.
Bibliotheca Alchemica Et Chemica: An Annotated Catalogue of Printed Books on Alchemy, Chemistry and Cognate Subjects in the Library of Dennis I. Duveen
Facsimile edition to which is added: Catalogue 62, H.P. KRAUS, The Duveen Collection of Alchemy & Chemistry, supplementing the Bibliotheca Alchemica et Chemica. The Duveen Collection of Balneology.
Modern Art and the Life of a Culture
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Franz Schubert and His World
The life, times, and music of Franz Schubert During his short lifetime, Franz Schubert (1797–1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and overlooked aspects of his music. Contributors explore Schubert's youthful participation in the Nonsense Society, his circle of friends, and changing views about the composer during his life and in the century after his death. New insights are offered about the connections between Schubert’s music and t...
A Social History of Modern Art, Volume 2
In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice
