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The Spectrum of Political Engagement
Why do artists, poets, philosophers, writers, and others who are usually classified as intellectuals leave the ivory tower to "dirty their hands" in the political arena? In an effort to illuminate the intellectual's struggle to come to grips with the issues raised by political involvement, David Schalk examines the life and thought of five intellectuels engagés in France during the period between 1920 and 1945. From communist to fascist, these figures—Paul Nizan, Jean-Paul Sartre, Emmanuel Mounier, Julien Benda, and Robert Brasillach—cover the full political spectrum, and Professor Schalk studies their diverse reactions to the social, political, and economic tensions of the interwar per...
War and the Ivory Tower
In War and the Ivory Tower, David L. Schalk explores the public role of the intellectual in times of national crisis. He compares American responses to the Vietnam War with French responses to the Algerian War, finding many similarities in the way intellectuals voiced their outrage at the policies of their governments. At a time when national crises abound but protest is out of fashion, and intellectuals are possibly a dying species, this book presents a needed reexamination of what it means for intellectuals to speak out on issues of international importance.
Roger Martin Du Gard
When he was awarded the Nobel Prize for Literature in 1937, Roger Martin du Gard had achieved fame as the author of Jean Barois and the series of family novels entitled Les Thibault. His Oeuvres Complètes was published in 1955, three years before his death, with a Preface by Albert Camus. Using an interdisciplinary method, Professor Schalk traces the novelist's development, emphasizing the impact on his writing of such momentous events as the Dreyfus Affair and the First World War. Martin du Gard is shown to be an important transitional figure in ways not heretofore recognized. His treatment of historical events is compared with that of such writers as Proust, Anatole France, Jules Romains, and Sartre; and the possible contribution of the novel to a greater understanding of history is explored. Citations from the novelist's correspondence help to document the analysis of his changing attitudes as they are reflected in his fiction.
Withdrawal
In a riveting sequel to his celebrated Westmoreland's War, Daddis offers a bold new interpretation of America's first lost war. Upending myths of a "better war" that led to victory in Vietnam, Withdrawal is required reading for anyone hoping to understand the final years of American intervention in Southeast Asia.
The Intellectual Resistance in Europe
Camus, Sartre, and Beauvoir in France. Eich, Richter, and B ll in Germany. Pavese, Levi, and Silone in Italy. These are among the defenders of human dignity whose lives and work are explored in this widely encompassing work. James D. Wilkinson examines for the first time the cultural impact of the anti-Fascist literary movements in Europe and the search of intellectuals for renewal--for social change through moral endeavor--during World War II and its immediate aftermath. It was a period of hope, Wilkinson asserts, and not of despair as is so frequently assumed. Out of the shattering experience of war evolved the bracing experience of resistance and a reaffirmation of faith in reason. Wilkin...
Transnational Spaces and Identities in the Francophone World
The dissolution of the French Empire and the ensuing rush of immigration have led to the formation of diasporas and immigrant cultures that have transformed French society and the immigrants themselves. Transnational Spaces and Identities in the Francophone World examines the impact of this postcolonial immigration on identity in France and in the Francophone world, which has encompassed parts of Africa, the Middle East, Southeast Asia, and the Americas. Immigrants bear cultural traditions within themselves, transform “host” communities, and are, in turn, transformed. These migrations necessarily complicate ideals of national literature, culture, and history, forcing a reexamination and ...
Paris and the Right in the Twentieth Century
Certain images of Paris have become icons for the left, but the Paris of the right has received far less attention. This groundbreaking collection of essays examines the relationship between Paris and the right in the twentieth century, exploring how political leaders and parties have depicted and controlled the streets, people and history of Paris, and how the city has been both context and inspiration for journalists and novelists of the right. The first part focuses on the relationship between the right, the street and the people, and describes some of the most contentious political movements in recent French history, from the anti-parliamentary leagues of the Belle Époque to the contemp...
Landscapes of Loss
In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images an...
Years of Plenty, Years of Want
The Great War that engulfed Europe between 1914 and 1918 was a catastrophe for France. French soil was the site of most of the fighting on the Western Front. French dead were more than 1.3 million, the permanently disabled another 1.1 million, overwhelmingly men in their twenties and thirties. The decade and a half before the war had been years of plenty, a time of increasing prosperity and confidence remembered as the Belle Epoque or the good old days. The two decades that followed its end were years of want, loss, misery, and fear. In 1914, France went to war convinced of victory. In 1939, France went to war dreading defeat. To explain the burden of winning the Great War and embracing the ...
