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La obra que el lector tiene entre manos recoge las aportaciones más relevantes del Congreso Unijes 2013, convocado por las Facultades de Derecho de las universidades de Deusto, Pontificia Comillas de Madrid y ESADE-URL, y que bajo el título ?Los medios de prevención de conflictos en contextos económicos inestables? tuvo por objetivo una reflexión jurídica sobre las vías de prevenir y anticipar los conflictos jurídicos y evitar, de esta manera, su judicialización. No cabe duda de que en el contexto de las sociedades de la Unión Europea, sacudidas por una fuerte crisis económica, la conflictividad ha experimentado un incremento considerable y con ello el incremento de reclamaciones ...
Rock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America. Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents di...
Where do we find the worlds very first art? When, and why, did people begin experimenting with different materials, forms and colours? Were our once-cousins, the Neanderthals, also capable of creating art? Prehistorians have been asking these questions of our ancestors for decades, but only very recently, with the development of cutting-edge scientific and archaeological techniques, have we been able to piece together the first chapter in the story of art. Overturning the traditional Eurocentric vision of our artistic origins, which has focused almost exclusively on the Franco-Spanish cave art, Paul Bahn and Michel Lorblanchet take the reader on a search for the earliest art across the whole world. They show that our earliest ancestors were far from being the creatively impoverished primitives of past accounts, and Europe was by no means the only cradle of art; the artistic impulse developed in the human mind wherever it travelled. The long universal history of art mirrors the development of humanity.
This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.