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David Lund
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Death and Consciousness
Does bodily death mean the complete destruction of a person? The first part of this scholarly book defends the view that the nature of man and the world he encounters implies survival of death as a conceptual possibility. The second part considers the empirical evidence for concluding that at least some persons have survived death. A new kind of understanding, among readers, might result from following the concepts logically developed in this work, using real life terminology and experience.
The Body on the Shore
A killer is at work in the commuter belt. DCI Gillard needs answers, fast... Promising architect Peter Young is shot dead at his desk. DCI Craig Gillard is quickly on the scene, looking at what appears to be a brutal and highly professional hit. Two weeks later, on the Lincolnshire coast, another body is found on a windswept beach. The man cannot be identified, but sports a curious brand, burned into his neck. Gillard is plunged into a case without answers, finding himself up against dark and mysterious forces. This time lives are on the line, children's lives - and his own. Written at breakneck pace with a jaw-dropping twist you won’t see coming, The Body on the Shore is perfect for fans of Robert Bryndza and Mark Billingham.
Alan Davie & David Hockney
Encountering the work of Alan Davie (1920-2014) at Wakefield Art Gallery in 1958, a young David Hockney (b.1937) was struck by Davie's landmark Abstract Expressionist paintings, which mirrored and stimulated his own fledgling experimentation with colourful abstraction. Juxtaposing the remarkable early work of two greats of post-war painting, this book provides an original perspective on an important aspect of two significant artistic careers. A richly illustrated text demonstrates points of convergence -- such as the painterly surface, passion and poetry, and an exploration of text within the pictorial frame -- while also presenting divergence, moving the discussion beyond comparison to reveal a moment when each artist expanded the expressive potential of the painted canvas. Seeking to suggest new relationships and continuities between two generations previously segregated, this beautifully produced publication is ambitious in its intention, pushing the boundaries of traditional interpretations of British art history.
SEC Docket
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There Is Life After Death
Is death the end? Or, to put it another way, do we survive bodily death? Some shrug their shoulders and declare we simply can't know. Others just say no. And a few, flying their philosophical colors, pretentiously profess to not even understand the question. Curiously, the overwhelming majority of human beings throughout the course of history have taken it for granted that death is not the end, that there is a life after death. This striking and seemingly instinctive belief has been embodied in the religious traditions and philosophical reflections of most cultures. There Is Life After Death is the first of its kind in that it assembles and analyzes a comprehensive range of data on life after death and then provides the framework needed to understand the data. No previous book has presented such concrete evidenceevidence based on the accounts of eyewitnesses as well as on data derived from diverse sources through out the world and historysupporting the exi
DCI Craig Gillard Crime Thrillers
Let Nick Louth keep you guessing with these twisty first first three books in the DCI Craig Gillard series; The Body in the Marsh, The Body on the Shore and The Body in the Mist. The Body in the Marsh: Criminologist Martin Knight lives a gilded life. But then his wife Liz disappears. There is no good explanation and Martin goes on the run. To make things worse, Liz is the ex-girlfriend of DCI Craig Gillard who finds himself drawn into the investigation. Is this a missing-person case or something more sinister? How dark can the truth be? The Body on the Shore: Promising architect Peter Young is shot dead at his desk. DCI Craig Gillard is quickly on the scene, looking at what appears to be a b...
