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Ever since it was first published in 1999, Nobel laureate J. M. Coetzee's novel Disgrace has provoked controversy. Set in post-apartheid South Africa, it follows Prof. David Lurie as he encounters disgrace through his sexual exploitation of a student and then through the shocking gang-rape of his only daughter. The novel's uncompromising portrayal of the "new" South Africa outraged many, who found the book regressive, even racist. It also challenged readers worldwide to confront its hard questions. This first book of essays devoted to the novel ambitiously brings together criticism and pedagogy. The ten critical essays and eight essays on teaching Disgrace grapple with the ethical issues the...
The traumatized central character of J.M. Coetzee’s Disgrace is provocatively reimagined in this “surprising, subtle, and deeply challenging” novel (Kirkus Reviews, starred review). Two years ago, Lucy Lurie was the victim of an act of sexual violence that devastated her life. Afterwards, she becomes obsessed with the author John Coetzee, whose acclaimed novel turned her brutal assault into a literary metaphor. Withdrawn and fearful of crowds, Lucy nonetheless makes occasional forays into the world of men in her search for Coetzee himself. She means to confront him. The Lucy in his novel, Disgrace, is passive and almost entirely lacking agency. Lucy means to right the record, for she is the lacuna that Coetzee left in his novel—the missing piece of the puzzle. Lucy plans to put herself back in the story, to assert her agency and identity. For Lucy Lurie will be no man’s lacuna. Lacuna is both a powerful feminist reply to the book considered to be Coetzee’s masterwork, and the moving story of one woman’s attempt to reclaim her identity after trauma. Winner of the Sala Novel Award Winner of the Humanities and Social Sciences Award for the Novel
In this astonishing series of portraits, award-winning photographer David Lurie explores a place and community that exist on the very fringes of Cape Town Here, in a mirror image of the beautiful and desirable city, life is lived at the very edge. Of his time spent photographing Manenberg, David Lurie says: I was welcomed, entertained, amused; I was also frightened, bewildered, often disoriented, incredulous. His portraits of a place and a people arrest us with their unsparing honesty and painstaking care."
'A great novel by one of the finest authors writing in the English language today' The Times **A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK** After years teaching Romantic poetry at the Technical University of Cape Town, David Lurie, middle-aged and twice divorced, has an impulsive affair with a student. The affair sours; he is denounced and summoned before a committee of inquiry. Willing to admit his guilt, but refusing to yield to pressure to repent publicly, he resigns and retreats to his daughter Lucy's isolated smallholding. For a time, his daughter's influence and the natural rhythms of the farm promise to harmonise his discordant life. But the balance of power in the country is shifting. He and Lucy become victims of a savage and disturbing attack which brings into relief all the faultlines in their relationship. **One of the BBC's 100 Novels That Shaped Our World**
Now is the time for the Gospel of the Kingdom to be preached! Mark 1:14 "Jesus came into Galilee, preaching the gospel of the kingdom of God," notice he did not say, "he came preaching the gospel of the church", but the gospel of the kingdom of God. We must transition from Church to Kingdom. There must be a paradigm shift from trying to multiply church membership to advancing the Kingdom. Kingdom living is not the norm! Kingdom living is not for human beings, but for those who embrace the supernatural.
This book is a multidisciplinary critique of the frequently invoked but seldom questioned notion of “human dignity,” a discursive tool that is subtly serving abusive power structures while seemingly promoting human rights. The discourse of human dignity misrepresents the meaning of empowerment for modern citizens, making them interested more in political gestures and less in profit, comfort and protection from abuse. Academics interested in the concepts of power and biopolitics, especially as articulated by European philosophers Michel Foucault and Georgio Agamben, and/or engaged with the works of non-native novelists of the English canon such as J. M. Coetzee and Kazuo Ishiguro, will find the insights of this book highly beneficial. This is a critical contribution to the intersectional study of literature and ethics.
This is the first book-length study of the distinctive style of J. M. Coetzee's early and middle fictions.
Of Mice and Men: Animals in Human Culture is a book-length collection of essays that examines human views of non-human animals. The essays are written by scholars from Australia, East Asia, Europe and the Americas, who represent a wide range of disciplines in the Humanities and Social Sciences. Addressing topics such as animal rights, ecology, anthropocentrism, feminism, animal domestication, dietary restrictions, and cultural imperialism, the book considers local and global issues as well as ancient and contemporary discourses, and it will appeal to readers with both general and specialized interests in the role played by animals in human cultures.
What is it about irony - as an object of serious philosophical reflection and a literary technique of considerable elasticity - that makes it an occasion for endless critical debate? This book responds to that question by focusing on several key moments in German romanticism and its afterlife in twentieth-century French thought and writing. Rather than provide a history of irony, it examines particular occasions of ironic disruption, thus offering an alternative model for conceiving of historical occurrences and their potential for acquiring meaning.
This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together. Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda's The Heart of Redness (South Africa) and Ngugi wa Thiong'o's Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native f...